All posts by pdorpat

BILL WHITE'S JOURNEY TO A NEW WORLD: Part Two – Ship's Plumbing and the San Blas Islands

We continue now our postings of Bill White’s Caribbean reflections, as he steams south from Florida first to Panama and then onward to Peru to meet, at last, Kel, his fiancé.

The movie on the second night was “Salmon Fishing in the Yemen,” which I enjoyed but the ship was rocking so much that I started feeling a bit sick and left early, intending to watch the rest of it on television. Tomorrow they show “The Avengers,” which I will leave before the ending to Skype at midnight with Kel.  We had such a nice long talk last night.  Talking with and seeing my darling ponyo gives me something to look forward to all day, and the days are pretty dull, waking the decks, taking pictures of the same ocean.  Yesterday I borrowed a couple books from the library; a biography of Pablo Neruda and a memoir from Roger Ebert.  But even though there is a dullness about the journey there is also the undercurrent of excitement that prevents me from relaxing enough to concentrate on a book. Whatever I do, I am always looking for something else to do at the same time.

On the third day of the voyage, I am apprehensive about entering the shower, as yesterday I was unable to shut off the water and I had to call for help.  The first person to arrive could not fix it.  He thought the unit was loose and tightened it, but to no avail.  The second to arrive simply shut it off and said there was nothing wrong with it. I had tried several times to turn the knob in the direction he showed me, but was not successful in any of those attempts.  What will happen today when I try to turn off the water?

This is what happened during this morning’s abbreviated shower.  I turned the water on carefully and maintained a low-pressure flow, turning it off altogether a few times while washing my hair and face.  No problems.  Then, for no apparent reason, the water pressure increased to its maximum and when I tried to turn the water off, it would not stop.  So I got out of the shower, placed the shower hose in the sink so the water would not overflow from the shallow shower basin, and spent ten minutes or so aimlessly turning knobs back and forth.  Then, for no apparent reason, the water turned off.  I told one of the stewards that the situation with the water was erratic, and the shower needed to be inspected by a plumber to make sure the same disaster would not occur tomorrow.  I don’t know if he understood a word I said. We shall see tomorrow.

I ran into one of the trivia team players today and we talked a bit about computers, as he had just come from a lecture on Windows 7. I told him I had been using an IMac and now was using the Toshiba laptop, and asked if he knew a good program for editing audio.  He told me he used Audacity.  This is the program I used to transfer my audio tapes to digital files, and I didn’t realize it was a garage-band style recording system, with editing functions as well as an importing function, so I will be able to both record the Skype interviews with Paul and edit them on it.

After we took second place in the trivia game, the ship experienced a severe roll that turned the upper deck pool into mini tsunami and shattered dishware throughout the ship. I barely noticed it, as I was taking a picture of a plant at the time, and were it not for the noise of breaking dishes might well have remained ignorant of the occurrence, for which the captain offered profuse apologies and feeble explanations.  I only had a brief call with Kel before going to bed and falling asleep while listening to Donovan’s album, “Fairy Tale,” having discovered that the DVD player also plays CD’s.

I woke early to catch the sunrise, and became engaged in a prolonged conversation with an Australian couple, who informed me that their stateroom was right across from mine. The guy also had a Lumix Camera, a newer model than mine, and I checked out some of its functions, such as the macro zoom.  Returning to the cabin, I received a call from Harvey, who wanted to come to my cabin and get in a little practice on the guitar.   Harvey was a rock and roller from the early sixties who now played some country and national ballads, of which he demonstrated a few.  They sounded much like our own frontier ballads such as Red River Valley and Home on the Range. We left the cabin to find that the ship had already arrived at the San Blas Islands, and I felt a real thrill at seeing land after a couple days on the high seas.  I didn’t want to go ashore, however, because the stop was primarily to ferry passengers to a tourist bazaar where they could buy some of the products of the Cuna Indians.  I had no interest in being shipped around as a source of income, preferring to stay on the boat photographing the Indians who had surrounded our ship in their canoes.  Had I gone ashore, I would have been forced to pay a dollar to every Indian I photographed.  I am beginning to notice that I am too often taking too many pictures of the exact same thing. I spent a long time circling each of the decks, taking pictures and soaking up the sun before returning to the cabin to doze through the most recent Twilight episode, which I had only seen once before and had such a vague memory of that I wondered at times if I had seen it at all.

In other trivial news, someone apparently came in and fixed the shower, as the water is now dispensed through a clockwise, rather than a counter-clockwise, turn, Still, I was apprehensive and kept it turned down low, switching it to off to soap myself and on to rinse, thus making sure everything continued to operate properly, with no water gathering for an overflow.

And now we lift anchor and leave the San Blas Islands, expecting to reach the Panama Canal at 5am and to enter it at 6:30.   In the meantime, I look forward to talking with Kel, playing some trivia, possibly going to the German film, “The Harmonists,” and maybe checking out a comedian in the Showroom at Sea.  There is a certain ennui, however, that overtakes one, trumping all plans and sending the poor soul to bed where even sleep drags by slowly.

Fair and Festival – No. 21: The Official Information Center

The next attraction south of yesterday’s Christian Witness, the Safeco (or General Insurance) sponsored Official Information Center, was also squirreled into the southwest corner of the future Seattle Center.  Jean needed only a short walk south on Second Avenue from the Christians to reach the former site of the  open-aired booth with a roof spread low like a turkey’s wings protecting her chicks.  It was another eccentric Century-21 roof, in this instance suggesting a Japanese temple.  The open inside was staffed with a few female fair polymaths who could – it was expected – answer every questions asked.  The place was torn down in 1981 after nearly 20 post-fair years of service as a picnic shelter.  Behind it (to the west) behaving like an eccentric tent or a very large box kite was set the Seattle-First International Bank “building.”  Design by  the fair’s lead architect, Paul Thiry, the bank’s box was destroyed following the fair.

The site is now home for part of the Children’s Garden.   Jean Sherrard’s two examples, below, of youthful vigor resting their feet after a day of hide-and-seek are Ron Edge and myself.

An early spring snow on March 3, brought out a Seattle Times photographer to record the chilled fair grounds about six weeks before the fair opened.
This "aerial" from the Space Needle reminds us of the bright Salmon-pink coloring of the large Information booth. To the right of Safco is plopped the potato-pocket shape of the Nalley's Space Age Theatre. The Pacific Science Center is on the left, and much of Sacred Heart Catholic Church in the upper-right corner.

BILL WHITE'S JOURNEY TO A NEW WORLD: Part One – Aboard a Floating Shopping Mall

We begin our postings now of Bill White’s descriptions of his trip to Lima Peru to meet, at last, Kel, his fiance of now six years. Those of us who know Bill might expect that his travel impressions would resemble those in George Orwell’s “Down and Out in Paris and London” but we would be wrong.  Bill spent most of his days “on the road” aboard a cruise ship he compares to a shopping mall sliding though two oceans like a glazed donut.  So the heartfelt journey of reaching his intended took a while. Why did Bill chose not to fly but to travel by land and by sea? Perhaps it was, in part, in order to write about it all.  And yet he has, for a while at least, given up putting fine lines to the train ride from Seattle to Florida, the first leg of his flight and his journey.  The train windows were dirty but more important it was difficult to put aside his fixed idea about where he was going and whom he was going to soon see.  But once on the Caribbean Bill started paying attention to his journey too, and most of what follows – in six excerpts – is his candid and sometimes sentimental descriptions of life on a cruise ship and his first days in Lima with Kel.

As Bill notes this elaborate relocation was most exceptional.  Aside from a few years in Boston running a bookstore and a motion picture theatre and making art (of several sorts) he has been in Seattle working as a free-lance reviewer and writing novels.  For the last few years Bill has been living in what we call “The Forsaken Art House” here in Wallingford.  But now he has broken free. He has forsaken the forsaken for adventure first on the high seas and then with love in a far-away place.  We wish him well – very well.

(We also note that once we have our Skype connections figured out Bill and I will return to the late 1960s and resume here our weekly readings and commentary of the remaining issues of the underground tabloid, Helix – in their proper order.)


We left Florida an hour ahead of schedule to outrun Hurricane Sandy.  Indoor water sports were cancelled, and the eleven decks of the ship rolled a bit, causing passengers to rock on their heels in the stairwells, but the storm was headed north, and the m/s Veendam was going south, so we were spared the fate of a cruise ship that, unable to port in New York, left its passengers stranded in the Atlantic Ocean.  Check-in at Port Everglades in Fort Lauderdale had been easy.  When my baggage beeped, they waved it through anyway.  It was probably the Swiss army knife Kel had given to me some years ago.  Once in my stateroom, I was tricked into drinking a $2 can of coke, as six cans of soda and two of water had been placed on my table alongside an ice bucket, which caused me to assume they were complimentary.  The other five sodas and the two waters are still sitting there, and I declined the steward’s offer to bring me more ice.  It is odd that, although complimentary food is to be found throughout the ship, you are charged for the cokes placed in your room, but only, I presumed, if you drink them.  Odder still is that certain concession areas will charge for items that are free in another area. An example of this is the Explorer’s Cafe, where coffee and pastries bear a price tag, while at the Lido Cafe the same pastries are pressed upon one at all hours of the night and day.

It is a simplification to say that a sea cruise is nothing but ten days of over-eating while looking at water.  The television in the stateroom plays five different movies each day, and there is a DVD lending library of over 1,000 titles. On the first night of the cruise to Peru, I saw “The Best Exotic Marigold Hotel,” but it was a crappy DVD projection.  I left early, planning to watch the rest of it on the television the next day, and returned to my stateroom to watch my own DVD of Pasolini’s “Gospel According to Saint Matthew,” which put me to sleep almost immediately.

The ship is like a shopping mall in Las Vegas, tacky in an affectionate way. I have attended two lectures so far, both by fairly ignorant authorities. The person giving the history of the Panama Canal could answer few of the questions posed by the attendees, and drew a weak analogy between the fact that US ships have to pay a toll to traverse the canal, although the US built the things.  His analogy was along the lines of everybody having to pay the same price for a bowl of oatmeal, whether or not they resided in an oat-growing state, while I thought a parallel between the tolls collected by some new highways might be more fitting. An introduction to Spanish was taught by a girl of Mexican descent who was raised in Connecticut, and her pronunciations were erratic and explanations of the roots of some of the words inaccurate, so I did not continue the course beyond that first day. Most of the food in the four restaurants is mediocre, the deserts being the exception. So far I have had banana crème pie, mango torte, and coconut cake.  Lunch was a poor concoction of Chinese vegetables and rice, but the dinner of Chinese noodles and vegetables was palatable.

The second day of the trip began with an in-room breakfast that arrived a little after 8am and consisted of sliced banana, raisin bran cereal, a blueberry pudding, orange juice, and coffee.  Since the coffee at Lido was stronger, I decided on the third day to skip the room service and head straight up to Deck 11 and get the better wake-up juice.  Also, with the buffet set-up, one could have as little or as much of whatever one chooses at the moment. So I had a chocolate croissant, a blueberry muffin, and a banana, then came back to finally watch the ending of the Marigold Hotel movie, but paid little attention to it.

On the second day I also signed up for a talent show, and ran into Harvey from Australia at the Panama Canal lecture, who asked to borrow my guitar so that he could participate in the talent show as well. As it turned out, the two of us were the only ones who signed up, and the show was cancelled.   Later that night, before the trivia game, I was invited to play couple of songs by the singer/guitarist Glenn, while he took a break.  I did some rusty versions of In the Tomorrow and Love Minus Zero.  I quite like the two couples who are my trivia team-mates.  One is a retired Australian couple who both worked in the defense department, and the other an English couple who now live in Canada. We only got 10 out of 15 questions correct yesterday, with the winner scoring 12, but by the end of the cruise, had taken first place on four occasions.

Fair and Festival – No. 20: Christian Witness Pavilion

In their golden celebration of Century 21 titled “The Future Remembered,” authors Paula Becker and Alan Stein give a touchstone history of the Christian Witness Pavilion (not to be confused with either the Christian Science Pavilion or the nearby Sermons From Science Pavilion.)   “Two-thirds of the Christian Witness Pavilion was devoted to a children’s center, where children aged 3 to 7 got childcare mixed with evangelism.  A 40-foot stained glass window [see here one the right] in the building’s facade was a major focal point, as was a 16-foot mosaic of 60,000 wooden blocks designed by Stanley Koth.  [After the fair, Gethsemane Luther Church restored the blocks in their sanctuary’s narthex, while a Catholic church in St. Paul purchased the stain glass window.]  The adult portion of the exhibit consisted of a small theater where visitors experienced a 10-minute sacred sound and light exhibition that employed a rocket launch countdown as metaphor for the journey through life.”  By resembling, somewhat, one of the early satellites, the four-armed cross that topped the structure picked-up on the rocket metaphor.  We learn as well from historylinkers Paula and Alan that 19 Protestant denominations and 14 Christian-centered agencies paid for this pavilion.  The pavilion site is now part of the Center’s Children’s Garden but without the evangelism.

Looking south from the helipad on top of the Food Circus and over the shoulder, bottom-left, of the Bell Telephone Pavilion, to the Pacific Science Center and the Christian Witness Pavilion on the right.
A Seattle Times photographer looks through the same block as the above subject taken from the roof of the Food Circus, but here from the "front steps" to the Pacific Science Center and looking north on Second Ave, not south. The by now familiar roof-lines of the Christian Witness Pavilion are on the left. This scene - and many others - were photographed by the newspaper for its April 21 "first day" coverage of the fair.

Perhaps the serendipitous promotion for the Christian Witness Pavilion was its best public relations.  It’s hardwood substitute or variation on the Protestants favorite portrait of Jesus Christ, the one by the artist Solomon, arrived more than two months late.  (Every Sunday-Schooler should remember it.)

The Solomon sub was lost twice by airlines but when it at last arrived in July it was met with rejoicing and press coverage at least in The Times.

 

HELIX REDUX & RELAX continue – Bill While has arrived in his New World

Bill has arrived in Peru. Ron is back to scanning the issues and will have the next Helix in line and it is expected soon. First, however, we will put up a True Confession and or Sentimental Sea Shanty from Bill recalling his trip by cruise ship nearly straight south from Florida to Peru but with a necessary jog through the Panama canal. His letter will include a video of his passage through the canal and, we expect, more photographs of his trip by Sea. (The story of his train trip from Seattle to Florida may come later. Hope so, for I like traveling in trains and their tales too.) Meanwhile for the Helix routine to resume we must also wait while we figure out how to make Skype work between here and Lima. And that is the sum of it - until we put up Bill's Caribbean Shanty and soon.

This most recent record of the old Helix was record last Oct. 29, and may be compared to one below it from 2008, and then another from the 1970s.  At the bottom the door is open, but to the first Helix office, which was in the University District on Roosevelt Way and a half-block north of 45th Street..

Below: While I recall the faces and beards of the two on the left at the Helix front door on Harvard Ave., I no longer remember their names.  But to the right are Pat Churchill and Tim Harvey.  Both contributed to the paper.  Tim handled the UPS and LNS selections and edits and also did some of the best reporting for the paper, as well as drama reviews.  In our recorded remarks Bill White and I have referred to Tim’s writing often enough.  Rereading Tim I wish that I could indicated somehow my admiration.  He may still be in Maine but I’ve not found him as yet.   I remember that both Pat and Tim often had a cup of coffee in one hand and sometimes a smoke in the other. As did I and almost everybody in the smoke-filled office. But at that time we were eternal.

 

Fair and Festival – No. 18: Protesting the Canwell Committee

Above: This Post-Intelligencer press photo, courtesy of MOHAI, is too soft to read all the posters held high in 1948 for this demonstration against the state legislature’s Canwell Committee.  The legible ones, left-to-right, read that “Every Canwell Committee member for [the] Lien Law” – “Atom Bombs and military training will not build houses or lower prices!” – “Canwell . . . want more pension cuts!” . . . “The Canwell Committe is illegal, unconstitutional and UnAmerican!” . . . “Every Canwell Committee member voted for Pension Cuts!”  The business of the Canwell Committee is briefly described in the “now and then” printed at the bottom.  Below:  Late summer Bumbershoots are often visited by “get out the vote” activists. Like the 1948 protestors above, these activists do their work beside the south facade of the Centerhouse, AKA Food Circus: the old Armory.

Above: At the 42nd Street entrance to the U.W. students protest the Canwell hearings of 1948.  Photo courtesy Museum of History and Industry.  Below: The University District’s Methodist Temple is seen in part on the right of both views.  Readers may remember the parking lot across 15th Avenue in the “now” scene.  It was created in the late 1960s from the wreckage of the old white frame Wesley House – seen in the “then” – which was a residence hall for coeds.  The lot was recently developed for housing, with some retail and office space as well.  With this the popular and by now venerated Allegro Coffee House in the alley lost both the morning sunlight and its view of the campus green.  The Allegro, either the oldest espresso house in Seattle or nearly, opened on May 10, 1975.

REGISTER YOUR PROTEST

(First appeared in Pacific April 20, 2008)

When the University of Washington opened its first classes on the new “Interlake Campus” in 1895 none of the students lived on campus and few in Brooklyn, the name then of the university district.  Most came from town by trolley and were let off at “University Station,” 42nd Street and University Way.   To reach campus they walked a mere one block east to the incline pictured here, and for many years this was the most frequented way to enter and leave the campus.  For pedestrians it may still be.

Since the lawn here is exposed for sightseeing into the ‘district and sunbaths in the afternoon it has seen a lot of leisure through the years.  I remember it as “hippie hill” in the late 1960s.  Here, however, we see a protest underway on July 15, 1948.

The students are comfortably listening to speeches broadcast from a flatbed truck that is parked on the 15th Ave.  You can see the banner near the center of the “then,” and it reads, in part, “Register Your Protest, Hear and Now, the Canwell Committee.” Albert F. Canwell was the one-term state legislator from Spokane who proudly campaigned on two planks only: no new taxes and no communists.

The speakers this noon were Lyle Mercer, president of Students for Henry Wallace of the Progressive Party, Ted Astley, a veteran’s counselor at the UW and Al Ottenheimer of the Seattle Repertory Playhouse, which was just off campus.  The Canwell Hearings injured them all.  The University fired Astley.

However, the real targets in this “red scare” theatre were on the UW Faculty.  After Canwell’s “I will not tolerate questions” proceedings were over, three lost their professorships, scapegoats for the school’s board of trustees who were relieved that the number did not approach what another legislator proclaimed to be the total accounting of communists on the faculty.   That was 150: the same as that estimated by The Times for the number of students who attended this barely on-campus protest.

 

Fair and Festival – No. 17: Paul Horiuchi's Mural

By now one of Seattle’s most cherished landmarks, the Seattle Mural is Paul Horiuchi’s daring glass tile departure from the exquisite collages he constructed from soft and translucent materials like rice paper.  While it is now called simply “The Seattle Mural” I imagine it as the Buddhist’s “well-packed region” that is everything – eventually.   Follow any line through the mural and eventually – or ultimately – you will end up where you began, and then keep going.  Have you sat in the grass for a concert there and wound up wondering through the mural?

(Click TWICE to ENLARGE)

During Bumbershoot 2012 the Seattle Mural was mostly covered by adverts, stage decorations, and large built out video screens like the one showing here at the center. Jean's view repeats Frank Shaw's detail below from the fair.
These puff-ball erections that were part of the fair's appointments seem makeshift - or make-do - by now. Part of the Bell Telephone Pavilion shows on the left. It sprawled between the Food Circus (the Center House) and the Seattle Mural, and was one of the fair's clumsier designs. We will see a larger depiction of it later in this fair-festival project and elaborate there.
Shaw's 1962 puffs two-up remind me of artist-friend Fred Bauer's capture of this small pruned tree, which holds its own against the ivy that once climbed the exterior wall of one of the structures that the Seattle Center inherited from Century 21. I remember it but by now can now longer claim with confidence, which it was. However, I'll venture this: it may have been the east facade of the Flag Plaza Pavilion directly across Third Ave. (or Boulevard East) from the southwest entrance to the Food Circus. Who knows?
Catching Jean Capturing a Glimpse of Horiuchi

 

HELIX REDUX & RELAX – SIX Bills With WOMEN To Their RIGHT

WE POST another colorless MASTHEAD without body as we continue to exercise our RIGHT to RECESS, and include NO NEW HELIX this week as we wait for BILL WHITE to reach his PARAMOUR IN PERU before continuing our weekly commentaries on FRESH ISSUES OF HELIX via SKYPE – or something else that is cheap as well.

For DIVERSION we post now a BILL OF BILLS – SIX BILLS with (unidentified) WOMEN.   One of these pairs includes our Bill who is now still on the Caribbean with hundreds of tourists heading for Panama and the passage there from the Old World into the New – so FITTING for our Bill.    The remaining Bills are a mix pulled from our growing horde of scans.  We may hint at their identities.   Some will still know themselves.

Bill on Pike Place with an artist whose last name is the Ocean to which Bill is steaming.
Bill with his Bride and very near Ballard
Our Bill at Bumbershoot with Julie "the torch."
Bill with someone's bad eye
Bill and his Stigmata
Blonde on Blonde recently moved to the foothills east of Sacramento.

 

Fair and Festival – No. 16: Fountain of Creation

[Click the PIXS TWICE to ENLARGE Them]

For No. 16 we have move from No. 15 south across Republican Street through a portal between two fair buildings that have survived as parts of the Northwest Rooms of Seattle Center, which were once-upon-a-time home for much of Bumbershoot’s now largely lost Literary Arts program – both the readings and the book fair.  For some of us this was the most evocative corner of Bumbershoot.   While there is some literary art in rock it is not so varied or sustained as it was with Bumbershoot’s Literary Arts part or program.

Opened in 1903 and razed for Century 21, the Warren Avenue School crowded the southeast corner of Republican Street and Warren Ave. This put part of its north end, here on the left, in the Northwest room that was home during Century 21 to the Canadians, and during many Bumbershoots, to the festival's Literary Arts.
While the streets are not named in this detail lifted from the 1912 Baist Real Estate Map, it is easy to identify them. Left-of-center in the green block there is the named Warren Ave School, still crowding both Republican Street, above it, and Warren Avenue, to the left of it. The school's footprint held where now, to repeat, are parts of the Northwest Rooms, the Fountain of Creation, and the Coliseum. This detail also shows the by now familiar Sara Yesler Home, aka Wayside Hospital, aka apartment house, at the northwest corner of Republican and Second Avenue, now home of the Rep. The undeveloped block here at the center, a playfield for the school, is now awash with the International Fountain. Mercer Avenue is at the top; Queen Anne Ave, far left; 4th Ave. far right.
The section of interest, Section No. 2, is ponderously named the World of Century 21. It concentrates on the Coliseum, and can be compared to the Baist map above. The look down on it all from the Space Needle in 1962 that follows may also be compared to the Baist Map and this Ron Edge sandwich. The International Plaza, Seattle sculptor Everett DuPen's Fountain of Creation and just above or north of the fountain, Century 21's long rooms used as pavilions for, among others, the Canadians, Mexico, Denmark and Japan.
Looking northwest from the Space Needle during Century 21. The subjects of both yesterday's No. 15 and today's No. 16 can be readily found below.

 

During the fair looking east through the Fountain of Creation with the International Plaza’s pavilions on the left – future home for much Jazz and Literary Arts at Bumbershoot.
Jean’s “repeat” put him up against the wall.  He remarked “things have been moved.”
Catching a wading Jean getting his shot of the Fountain of Creation from the pool.
The Canadian mark can be read in this twilight look over Everett DuPen’s fountain during the fair.
After the fair as a sign that the Century 21 campus was being turned into a working Seattle Center, this sketch of the fountain and its surrounds appeared in the times. We reprint the caption.         FOUNTAIN: The World’s Fair Fountain near the Coliseum designed by Everett DuPen, Seattle sculptor, serves as the foreground for a newly remodeled exhibit-banquet hall occupying the former Canada Pavilion at the Seattle Center. The former Denmark Pavilion, right, will be inclosed and used as a permanent restaurant. (Seattle Times, March 9, 1964)