First, the last of these five recordings of the fall of fall looks up into some of the trees that border the Meridian Playfield in Seattle’s Wallingford neighborhood.  The park was once an orchard for the Roman Catholic Good Shepherd Home for Girls, and a favored few of the old fruit trees survive.   The panorama merges four images photographed on Saturday the 6th of December, 2008, around 3:30 in the afternoon  The center of the scene is to the northwest.  (Click the image to enlarge it.)

One month and four days earlier (Nov. 2, 2008) I recorded the several parts for this about 260 degree panorama that includes part of the P-Patch (far left)  and most of the Tilth garden.  At the center this pan looks northeast from a Tilth prospect that is near the southern border of the Good Shepherd Campus.  The home seen in part on the right is off-campus and faces Corliss Avenue at its campus dead end north of 46th Street.  The pan is a stitching of eight photos.

The trees that break the horizon above Tilth’s A-Frame greenhouse, left-of-center in the above panorama, appear again in the next recording which looks east towards the Good Shepherd Center and on the same second day of November, 2008.  My back is to the Meridian playfield.  The popular Pergola on the left supports and shelters several concerts during the warmer months, and below the tapping feet of the musicians several families of Rabbits have used the pergola as a hutch.   It is thought that these opportunists made their way to the campus from Woodland Park.

Wet leaves and the bouquets they make can be found throughout the campus resting in and beside the bushes.  This arrangement, however, was discovered a block off campus near the intersection of 46th and Corliss on November 11, 2008.

The last signs of fall included here are the reflections of an autumnal sunset off the west facades of the glass-curtain University District Building at the southeast corner of 11th Avenue and 45th Street – for many years the District’s unofficial mayor, Cal McCune, had his office there – and behind and above it the old corporate Safeco Building recently purchased by the University of Washington. It is the school’s first true high-rise and a symbol of sorts for many developments in the culture of higher education including grade inflation in the school’s undergraduate classes.  B’s continue to rise to A’s at a pace more relentless than global warming.  They are compassionately engineered by human forces in the interests of both comforting and complimenting the often anxious students and also avoiding their sometimes impetuous wrath.   The school recently replaced the insurance company’s banner sign with its own across the top of their new skyscraper.  The photograph was snapped while leaving Trader Joe’s with some pre-cooked brown rice and 73% dark chocolate in the purple wrapper on Dec. 6, 2008.


Jean’s Nissan parks almost alone on Raymond, Washington’s quiet First Street in 2005.  Once this was the main street of a smoking mill town that often went swimming when the Willapa River flooded the street to its knees.  Here on a rare hot day for the coast the pavement is dry as cured fire wood and hot too.  Jean recorded this scene looking south on First as I was either stepping into or out of my side of his gallant carrier.   We were chasing contemporary “repeats” for historical photographs that were then candidates for our book “Washington Then and Now.”  While Raymond’s First Street made it through the final cut and into the book, the repeat we used looks down the center of the street.  It misses the helpful signpost on the left but it is a more accurate “now” for the historical photos used – three of them.  (For Raymond see page 83 – in the book, not this blog.)

Traveling with Jean – the Sherrard of this blog – would be like riding with an ironic* Captain America except that he really has impressive upper body strength from frequent exercise.  He rows while watching the East Enders, the nearly 30 year old BBC1 soap.  And yet Jean is still more pumped-up for ideas of all sorts and for questions of taste and temperament too.   And he can drive like no body’s business, including his own for in truth he hardly makes anything from all his driving zest, including 10 thousand miles across this state pursuing historical sites in order to repeat them for our book Washington Then and Now.   (Visitors to this blog will know how often he flies to that curvaceous canyon on the veriform Yakima River.)

Jean also travels the world, loving the arroyos and scablands of eastern Washington and Ethiopia, equally.  I have seen him travel great distances.  For two weeks in the summer of 2005 I was his dependent as we flew first to London and then rolled by chunnel to Paris.  And there at the train station Jean first met Berangere AKA BB, the Lomont of this blog and I first saw her again since 1977.   I met Berangere that summer now more than thirty years ago!   The adventurous Parisian teenager was visiting my friend Bill Burden, whom she had met the summer before while picking grapes in southern France.  And here, right to left, are Jean, Bill and I posing for Berangere with a familiar landmark behind.

Next, another Parisian scene by Berangere – this one of Jean and I preparing  – with BB – to “repeat” with a contemporary recording the print I hold in my hand.  It is of Concorde Square, and I took it in the summer of 1955 when I spent two weeks in Paris.  I was sixteen and also still more sweet than sour.  Below it is Berangere’s repeat from 2005.  I was hovering over her shoulder.

Back in Washington while touring the state for our book and jobbing about for the book’s promotion, Jean has done all the driving.  I sit beside him in the passenger seat (As I do in the Good Shepherd’s stone grotto portraits also recently posted here.) of his all white Nissan, ready to yield whatever travel advice I have and, more important, listen to his stories.    My Captain is an insistent rapper about this wonder and that injustice and such a good storyteller that unless there is an emergency one will not mind hearing some of them twice because they are his classics.   And one should expect and accept cell phone interruptions from one or another of his many dependents.  Jean is admirably “up-front,” except for those instances when he will suddenly stop, jump from the car and exit around a corner for no announced reason.  Rarely gone for long, he still always takes the keys and a heavy Nikon (digital) about the size of a large chocolate croissant.

Here follow a few recent snapshots of travels with Jean – most of them my own through the Jeanmobile’s heroic windshield.   Jean is just to the left of these recordings, except when he is in them.

First, for the above picture choose one.  We catch Jean (1) looking for a phone booth (2) running around the corner and up the stairs of the Washington State Museum of History in Tacoma looking for proofs of our Washington Then and Now show that opens there in January next.  I take the moment to also leave the car and record this snapshot of the “leaning tower of Tacoma” – another Tacoma museum, for glass not history.

Rather than glass it is Tacoma’s old bricks that both Jean and I find most stimulating. Here is a splendid example on Pacific Avenue, long ago Tacoma’s “boulevard of dreams.”  The pentimento of the pink cream and green sign exhibited on the east façade of this brick block is one of the West Coast’s finest examples of worn mural art.  (While I have never visited a large sample of West Coast revealed murals nor know of any book about them, I still am confident that this is true or may be.   I’ll say that this is another Tacoma museum, one of one work and one wall.   A “drive-in or drive-by” museum you can enjoy, as Jean and I did, through the windshield.

A day after our appointment in Tacoma we were traveling again to responsibilities in Kirkland and Issaquah.  When we reached the Evergreen Point Floating Bridge Jean was feeling good – having a fine time.  Once on the bridge he pointed to “The Mountain That Was God” aka Mt. Tacoma, but officially named Mt. Rainier.  Two years earlier he had sat for most of an afternoon near Paradise Lodge, waiting for The Mountain to reveal itself for the repeat of a historical photograph of it he carried with him.  Now those two views – his and the historical  – appear side-by-side in our book.  Here from the bridge and in the late morning light The Mountain was stroked by dry-brushed clouds.  [Can some reader more familiar with the sky and its tricks explain first that slender but not lenticular, it seems to me, cloud that either points to The Mountain or springs from it, and still more mysteriously the shadow that in part repeats the banner-cloud to the left?]

Stopping for a light on East Lake Sammamish Parkway I used all 10X of the optical zoom advertised even on the body of my little Lumix.  (I purchased it on Ken Levine’s advice.) Jean pointed to the houses hugging the edge of the hill.  He explained that they are the front line of oversized and yet crowded residences built on the plateau east and above the lake.  Some of them he indication would qualify as McMansions.   Depending upon the film you remember, they resemble either a line of U.S. Cavalry or a line of bareback mounted Sioux, waiting to descend into the valley and stick it to a few persons without horses.  I have a different analogy for them born of my study of Classical Greek long ago.  For me they appear to be a phalanx of barbarian invaders.  These homes – Jean tells me for I have never given much time to real estate except the historical sort – continue for miles to the east from that edge of the bluff.  Jean explains that some of this work-in-progress is now stuck.

Ambitious plans on the Issaquah Plateau were popped along with the housing bubble. But then many of them were created together like raindrops on a windshield, or cookie crumbs on a counter, or McMuffins on a grill.  What, I wonder, difference will their mass production matter in a century – if they survive and gain some charm from time and the weather.  Depending upon one’s class sensitivities they now seem to either inspire resentment, remorse, weltschmerz, petty glee or indifference.  Not certain about how I feel, I can at least identify with that comely crow perched on the light standard upper right.  I may be smart about some things, but not about most, including this at once awesome, ominous and curious row on the ridge.  The crow soon flew away from its meditations to search for more scraps in the valley, and once the light had changed Jean continued to the Issaquah Costco where we were scheduled to sign books, which we were fond of telling those who purchased them increased the book’s value by twenty cents, or ten cents a signature.

Late in the afternoon we returned to Wallingford and Green Lake, where the next day I crossed paths with Seattle City Councilman Nick Licata.  I asked Nick if he had seen the young trio singing Bach’s a capella motet Jesu Meine Freude at the front door to the Wallingford QFC.  He had not.  I explained, “With three-parts of a four part Baroque motet they were promoting the social engineer Lyndon LaRouche’s political literature and asking for donations.”  I gave them a dollar for the 3/4ths of Bach.  I might have given 75 cents.   The photograph included here of an unidentified arm shows part of the Wallingford QFC sign beyond.

I told Nick about our trip the day before to the Issaquah and Kirkland Costcos and together we lamented how in the last quarter-century much of “book culture” – both the making and marketing – had been captured by a few heavy weight publishers and retailers – or in Costco’s prosperous formula, semi-retailers.  The Issaquah plateau also entered our little conversation about books and Bach, and the other Lyndon.   Nick confirmed what I had only incidentally heard about Chip Marshall.  The once famous 60’s activist at the U.W., Marshall later became one of the principal developers on the plateau east of Issaquah. Something like Ken Kesey and Abbie Hoffman, Marshall had made his own theatrical run several times from the law, which he offended with some brash objections to the war in Vietnam. What was so entertaining is that he would sometimes appear unannounced to speak in public, but then ditch away again before he could be nabbed.  It was the behavior of legends, and it helped that he was Errol Flynn dashing.  But now his story is a mixed report.  Unlike Kesey and Hoffman, and more like Jerry Rubin, Chip later joined “the man.”  And now, Nick revealed – and this from Chip himself – his old friend longs to open a night club in Seattle.

Returning to the windshield snapshot, Jean told me that the forested horizon behind the crow is Tiger Mountain.  I believe him, for he has been intimate with these “Issaquah Alps” almost since he was a child returning from Germany with his parents to live in Bellevue and eventually, in the early 1980s, to open Hillside School on Cougar Mountain, the little “alp” closest to Lake Washington.  Jean teaches drama, writing and video at Hillside.  His wife, Karen, teaches French and history.  Their oldest son, Ethan, teaches mathematics.   Just above is a photo showing Jean preparing his students for that night’s performance of Brecht’s play “The Caucasian Chalk Circle” staged last year at Hillside.

While on our way from Kirkland to Issaquah we stopped along the east shore of Lake Sammamish where, again from the comfort of the passenger seat, I photographed Jean preparing to take a photograph along the old Seattle Lake Shore and Eastern Railroad right-of-way (1889), which is now a recreation path – a controversial one, although not for those who use it.  Rather some of those who live to the sides of the trail imagine it as a conduit for urban thugs and liberal ideologists (for some, one and the same) who are carried to the east shore on light weight ten-gear bicycles from Seattle thereby interrupting the formerly fretless piety of the lake shore community and more recently the highlands behind it.   Jean is here visiting the now lost mill town of Monohon.  And that is spelled correctly with three O’s.  (Look it up on historylink for a thumbnail narrative of its substantial history.)

And here still at the abandoned depot site of Monohon, Jean shows the power in those shoulders and long arms as he lifts his heavy camera far above the path and over the heads of a cycling family perhaps returning to smoke-filled rooms in Seattle.  Jean has attached his heavy Nikon to his big ten footer and thereby brings its prospect to about knee-level on the third story of a typical office block.

Continuing on to Issaquah and moments before we stop for the crow on the lamppost (discussed above) I snapped this screen of trees along the east shore of the lake.   I figure that this may be an example of the kind of landscape that we are wired in our genes to enjoy and even long for.  On this possibility I included this scene’s easy pleasures for you to study in reverie.  This tentative insight of evolutionary psychology also adds to my hope that some of the garage sale art that I have purchased over the years is resalable.  Let this also be a fair caveat lector to this blog’s visitors for there are plans for using examples from my “Forsaken Art” collection on this site.

Issaquah is also the corporate headquarters of Costco whose employees seem to express universal gratitude for how well they are treated.  Here we take our place before a special black backdrop raised behind our signing table like an altar and pose with Angela who is our Costco hostess.   We ask her how she likes her employer and get that same response.  While I am happy for Angela and Costco I still feel ambivalent and think of Jean’s and my good friend Clay Eals, the author/historian who is such a champion of small stores and neighborhood culture.  We sympathize with Clay’s ideals but can we also afford them.   In Paris it is still possible, if one wishes, to visit a dozen different stores for a day’s needs and all within walking distance – like Wallingford.

Jean is taking French lessons at the Alliance Française.  He is justly proud of his pronunciation, although, as he describes it, learning the ways of French verbs requires the discipline, flexibility, sobriety and elegance of a ballet dancer in the Ecole Française.   A point that is perhaps mean to make, an instance of protecting my own interests, is this.  After studying his French for however much time he can give it, will he ever be able to tell a story as well in the language of Balzac as he can in the language of Dickens?  (In the accompanying photo directly below, two French-looking visitors admire some of the garden bedding on the Good Shepherd campus.  The Alliance Francaise is in the brick building to the rear.)

Come hear Jean read in English Jean Shepherd’s “Red Ryder and the Cleveland Street Kid” and “A Child’s Christmas in Wales” this coming Dec 22 in the fourth floor Chapel of the Good Shepherd Center in Wallingford.  I will be backing him up as the amateur part of the program reading O’Henry’s “Gift of the Magi”, along with a poem that has profoundly shaped the culture of Christmas, yes “The Night before Christmas.” We rented this fine performance hall  – which you can study below in this blog in the many pictures included with Sally Anderson’s Ashes to Ashes review – so there will be a requested or suggested gate of $10.00.   Elsewhere in this blog is an announcement for this reading – and another at the Haller Lake Community Club –  accompanied by a photograph of Jean and I sitting in the Good Shepherd Center’s Grotto.  I am, again, on Jean’s right – left to you.  Here we also include at the bottom another example of a grotto – this one in the pavement near 42nd Street and 1st Ave. N.E. – and just below an abandoned Christmas nativity scene, or part of one, discovered half buried by untended ground cover and neighbor to other incongruous artifacts in a hidden Wallingford side lawn.

* As yet, we can’t quite expect a sincerely ecstatic post-ironic America with the new administration, although satire will now have to search harder for targets.   What we need is rather a post-iconic America, which is a nation dedicated to patrolling for dead metaphors in public speech and hysterically driven clichés like “iconic.”   This “iconic” is used much too often now as a substitute for thinking.   So stop it!


This Friday, Dec. 5, 2008, at 9:30 Jean picked me up in Wallingford and we scooted to Olympia to sign some books in the Legislative Building’s little gift shop.  We “worked” at this over lunch time, from eleven in the morning to one in the afternoon.  On our return to Seattle I took several photographs of Mt. Rainier from the car window as it showed a most spectacular variation on the cloud cover that it often creates, it seems, for its own and our amusement .   Sometimes this cover hovers like a beret. But the beret can swell into a hard hat and/or stretch into a sombrero.  And on rare days, like this one,  the clouds above the mountain and around it are as fanciful as the hatter’s examples sold at a theatre wardrobe sale.

The first look was taken from the 1-5 bridge over the Puyallup River at about 1:45pm.  This is The Mountain that the citizens of the “City of Destiny”  ought to insist on lovingly  calling Mt. Tacoma.

The next recording looks south and a little east, again from I-5, and over Tukwilla’s Southcenter Mall – or near it around 2:10.  Now the atmosphere about the mountain is dancing, and it has temporarily created a new cap.

Around 3:00 I propped my Lummix against a signpost at the Wallingford Intersection of 42nd Street and 1st Avenue N.E..   The high hat above the mountain has moved further east. Earlier Jean noted that it seemed as massive as the mountain itself, although the reverse of it, like a wrapped Rainier standing on its head.

Next the setting sun gives its typical rose glow to the mountain behind a dead tree given new life with blue bottles lovingly hung from its branches by sensitive neighbors.

Moments later, with the sun below the Olympics, but not yet submerged in the Pacific, and with the camera wide open, the sky misses vespers for a riot.

A Capitol Christmas…

Friday morning, Paul and I, at the urging of a well-meaning friend, descended on our state’s Capitol for what was meant to be a book signing in the legislative gift shop.  It was a slow day for book sales, I fear, though we watched dozens of Washington State calendars selling hotter than hotcakes, and were mildly dispirited by the disinterested yawns (“Washington Then and Now?” the handful of power brokers who wandered past seemed to exclaim, “Been there, done that.”).

There were, as always, pearls of conversation and gentle conversators, but for the most part, we stared blankly at each other and wrestled over a single New York Times.  Much amusement was provided when I found a life-sized ad for HBO’s “Saddam, BMOC” and we took turns shooting pix of each other.

Then we each in turns wandered up into the Rotunda, where we discovered an unfolding scandal.  While Christmas had reached its merry tendrils into nearly every nook and cranny….

(as always, click to enlarge photos)

…there were serpents in that Yuletide tree (note the state patrolman patrolling with care).  But first, let’s visit the capitol’s own creche, a simple stable amongst the marble columns.

Not 30 feet to the left, ATHEISTS had insisted upon their 1st Amendment rights (damn them), and placed a sign reading, in part, “Religion is but myth and superstition that hardens hearts and enslaves minds.”

FOX news, namely Bill O’Reilly, had taken up the cause a few days ago, encouraging his viewers to express their outrage to the Guv. Hundreds of calls and emails poured in hourly.  Christmas under siege, Santa held for ransom, myrrh stolen from Christ child.  Protesting churchgoers were up in arms.  Some added their own signs (see more state patrolmen patrolling beyond the tree).

Then, between 7 and 7:30 in the morning, someone stole the atheists’ sign. Dan Barker, co-founder of the Freedom From Religion Foundation proclaimed the act, “unfriendly.”  Later in the day, someone turned the sign in to Country KMPS’s Ichabod Caine.  The State Patrol is investigating.

Below, see the brightly colored placard on the left; also in place of the original anti-religious sign is a terse gold-colored reminder from the Foundation: “Church/State – Keep them separate”.  George Washington – not a foe of religion, although perhaps of religious partisanship – has positioned his enormous head between opposing sides (his bust here was, Paul informs me, given to the Capitol Building by the Daughters of the American Revolution).

Meanwhile, downstairs in the basement gift shop, Paul and I thanked the staff for putting up with us and left the marble corridors of power, heading once again for our own cluttered basements, which make up in padding what they lack in grandeur.  Outside, Paul paused once more to glance at the Times.

In wearing this mask, Paul wrote me earlier this evening, we were doubly posturing, acting the part of an actor acting the part of Saddam, who spent decades rehearsing his own execution by practising it on others.

Is there some significance here? A cradle of hypocracy liberally perfumed with Frankincense?  Heavens to Murgatroyd, I’m reluctant to bring up old lessons, but aren’t we all, to some extent, reaping those whirlwinds?

Up the Chimney with Dorpat/Sherrard

It’s a Christmas cracker!  Paul and I will be reading tales of the season in a couple venues around town. The first is on Saturday the 13th at the Haller Lake Community Center at 7 PM. The second is at the Good Shepherd Center Chapel performance space on Monday the 22nd, starting at 7:30.

We’ll be reading classics – Paul’s soulful version of ‘Gift of the Magi’, plus, donning Santa cap and bells, his sonorous and heartfelt ‘Night before Christmas’.  Jean will finish off with the hilarious Jean Shepherd saga ‘Red Ryder meets the Cleveland Street Kid’, from which the movie ‘A Christmas Story’ was adapted.

We can’t decide whether to call these evenings Up the Chimney or Down the Chimney with Jean & Paul.  Votes?

Join us!


This panoramic look into Wallingford’s Meridian Playfield is one of the sites/subjects I chose to repeat practically every day since I started my “Wallingford Walk” now 28 months ago.  The number of tended locations is now more than 400.  By now I rarely add new ones.  The complete walk takes about four hours, but this includes visits with friends I come upon and stops at a few health spas like Julia’s bakery and Al’s Tavern.

At the top of this “Fall of Fall” there is a hint of autumn – or many hints with the first fallen leaves — in a three-part pan that was photographed on Oct/12 of this year.  In all seven choices or examples the themselves wide-angle parts have been merged and the seams mostly hidden.   In the scene below it, which was taken Oct/27 some of the trees are well into the fall season, and thirteen days later, on Nov/2 in the third-from-top pan, a good part of their colorful show has dropped to the floor of the Good Shepherd campus.  Four pans down, the gold has turned brown and is hardly noticed in the shadows.  The trees are almost bare.  This fall show, then, lasted about six weeks.  The winter doldrums will endure until early march.   We may hope that they will be interrupted by snow, as in five-down on the fifteen of January 2008.  The sixth pan from the top gives us a hint of what to expect.  Touches of spring are evident from my repeated prospect.  For all of these pans I’m propped against a tree at the southeast corner of the playfield.  This No. 6 spring scene was taken still in the first full year of my walking – on March 14, 2007.  (I began walking my irregular circle – from my front porch and back –  in July 2006.)  Here the wettest part of the playfield is protected from athletes with a plastic orange net.  Finally, in the bottom pan the park is in full summer on July/28 of this year, 2008.  The fence has been removed and the field is dry and a bit beaten.

For my own satisfaction I refer to this as Hyde Park, for the big trees remind me of London’s big park, especially when recorded  as it is here with 90 degrees of the playfield showing.  From these seven views you may get a mistaken notion that this playfield is little used.  Soccer players, fetching dogs, and sometimes mordant teens who smoke behind and beneath the distant trees along Meridian Avenue are almost regulars.  The dogs surely are regulars.  So far I have at least 700 pans from this location leaning against a big tree.   From these I will select and “polish” with Photoshop, and any other program that will help, about two hundred of them (I speculate) for a variety of animation that will involve rapid dissolves between the chosen scenes.


More of 'Ashes to Ashes'

My apologies for not having gotten these up sooner. They should have accompanied Sally Anderson’s fine review, but better late than never, I always say (in fact, I never say that, but it seemed appropriate for this remarkable show).

(click twice on thumbnails to see full size)

(Incidentally, the mysterious final photo of the series was taken peering through the newspaper coffin to obtain a view, not of eyes, but of the negative-corpse-space’s leg holes.)

Photos we won't be using

Yesterday, I made a few stops around town picking up Now and Then shots for Paul’s column. Those below are extras.

First, I stopped at the 41st and Aurora pedestrian overpass and met historian/preservationist Heather McAuliffe and her daughter’s grade school class and teachers from BF Day for a repeat of a 1936 photo. The original was taken below the overpass looking up.

Then I headed downtown to meet Ron Edge, a photo collector and history sleuth, who’s been helping Paul unravel mysteries. We were trying to repeat a pic of an old tin shop at the corner of what is now 1st and Yesler. Here’s Ron, braving traffic:

Later that afternoon, I met baseball historian Dave Eskenazi and we climbed up on top of a vast rooftop (a windowless storage building for King County Elections) looking for signs of Dugdale Park, an ancient baseball field.  This eerie white expanse, which covers the footprint of the old park, is just around the corner from Washington Hall at 14th and Fir.

As always, click on the pix to see them full size.

Now & then here and now…