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Published in The Seattle Times online on Jan. 16, 2025
and in Pacific NW Magazine of the printed Times on Jan. 19, 2025
Bavarian art-glass window resurfaces, but where will it shine?
By Clay Eals
Long missing, a Northwest art-glass masterwork has re-emerged. But will the enormous window ever again gleam in public?

The puzzle surfaced in 2020 when we profiled Seattle’s Suess & Smith Co., owned by German specialists in leaded, cut and stained glass who worked from 1901 to 1906 on Western Avenue in today’s Belltown. The firm morphed in into Suess Art Glass Co. and moved in 1909 to Virginia Street near Westlake Avenue, operating until at least 1951.
One of Suess’ distinctive creations — a 12-by-8-foot, three-panel landscape — depicted a verdant Bavarian scene and hung inside the Frye apartment hotel at Third and Yesler. There, in about 1980, Smith descendant Curt Green photographed it in hotel owner Abie Label’s office. Backlit, its rich hues glowed.
Later, the piece vanished. Since 2020, readers have filled out some details of its origin and whereabouts.
In 1967, Label first saw the window at the old Arlington Hotel at First and Spring, where a maintenance worker found it stored and damaged. “It had been there for decades,” says Label’s business partner Robert Roblee. Label made repairs and moved it to the Frye, where it hung for 30-plus years. Phyllis Lamphere, a former city council member, was a fan, often showing it to visitors.
Label’s friend, Robert White, a West Seattle dentist, bought the window from Label for $5,000 and crated and shipped it to Alaska in 1998 for display at a Skagway sculpture garden but died before that could happen.

When White’s widow, Diane, sold the garden to the Skagway Traditional Council in 2023, the stored crate emerged. Family shipped it to Seattle, stored it in Federal Way and last summer drove it to Cathedral Glass in Portland for evaluation.

When Cathedral owner Nicholas Heinze uncrated it, he found a mixed blessing. “It’s master-level stuff,” he says. “It blew us away. There’s magic in it. It was touched by hands that really knew what they were doing.” But he also spotted significant degradation.
Restored, it could be insurable for $144,000, but repairs would run $26,000 — sobering ballpark figures. The pressing question is: Where will it land? White family members speculate: a museum, train station, airport? A restaurant in Leavenworth?
“At first it was fun, as in ‘Wow, look at this amazing, historic thing,’ ” says White’s daughter, Launi Treece of Renton. “But the last few months, it’s been disheartening to learn how much damage there is, and it’s been hard to find a buyer. On one hand, it’s a treasure. On the other hand, we don’t know what to do with it.”
Who will supply the next piece of the puzzle?
WEB EXTRAS
Big thanks to Launi Treece, Diane White, Dakota White, Nicholas Heinze, Curt and Paula Green, David Label and Robert Roblee for their invaluable help with this installment!
No 360-degree video this week, but below, you will find 9 additional photos and documents and 1 historical clip from The Seattle Times and Seattle Post-Intelligencer online archive (available via Seattle Public Library), Newspapers.com and Washington Digital Newspapers, that were helpful in the preparation of this column.
And be sure to click here to see our May 2020 “Now & Then” column about this window for further details and a wealth of “web extras.”




Click the thumbnails below to see the photos taken in August 2024 by Nicholas Heinze of Cathedral Glass of the three Suess window panels — two for (exterior and interior) for each panel:






Wonderful that the family is still involved. A true legacy.. Lets hope a viable solution and permanent home can be found.
I would hope to see it one day in the permanent collection of the Museum of Glass.