Seattle Now & Then: On Our Fortieth Annniversary – celebrating the dawn of photography

(Please click to enlarge photos)

THEN 1: Taken from an upper story in a building owned by Daguerre, the first daguerreotype photo looks roughly south along the Boulevard du Temple into the Marais district of Paris. Abundant leaves on trees lining the boulevard suggest a summertime exposure. (LOUIS DAGUERRE)
THEN 1: Taken from an upper story in a building owned by Daguerre, the first daguerreotype photo looks roughly south along the Boulevard du Temple into the Marais district of Paris. Abundant leaves on trees lining the boulevard suggest a summertime exposure. BÉRANGÈRE LOMONT)

(Published in The Seattle Times online on Jan. 13, 2022
and in PacificNW Magazine of the print Times on Jan. 16, 2022)

At 40, ‘Now & Then’ celebrates the dawn of photography
By Jean Sherrard

This Sunday, “Now & Then” blows out 40 candles, celebrating the nation’s (if not the world’s) longest-running column dedicated to repeat photography.

It began on Jan. 17, 1982, when founder Paul Dorpat published his first comparison, an exuberant parade along Fourth Avenue welcoming home World War I artillery soldiers in 1919.

After more than 2,000 columns and four decades, we think it’s apropos to express belated gratitude for a 184-year-old gift.

THEN 2: French photographer Bérangère Lomont aims her lens as “Now & Then” column founder Paul Dorpat looks on in central Paris in 2005. Together, they repeated photos of the City of Light snapped by Dorpat as a teenager in 1955. (JEAN SHERRARD)

The story begins in 1838, when artist and inventor Louis Daguerre positioned a boxy device in the window of his Paris studio to capture the dance of light and shadow on the busy street below. For at least four minutes, he exposed the plate and instantly achieved a fistful of firsts:

  • The first photo of a city.
  • The first portrayal of human beings in a cityscape.
  • The first shoeshine caught on camera.

At first glance, the Boulevard du Temple in central Paris seems curiously devoid of people, save for one gent standing relatively still and getting his shoes polished by a bootblack on the sidewalk. The many hundreds of passersby were assuredly moving too quickly to be snared by the long exposure.

The long row of four- and five-story buildings housed many well-attended theatres. Parisians nicknamed it the Boulevard du Crime after the immensely popular vice melodramas they presented.

Paris, however, was on the verge of one of the greatest transformations in its long history. In 1852, a nephew of Napoleon Buonaparte grandly proclaimed himself Emperor Napoleon III and envisioned a capitol suitable for a French empire.

The narrow, medieval streets and alleys, beloved by many Parisians, were to be widened and straightened. Entire neighborhoods would be leveled while parks, grand avenues, plazas and vast public-works projects would be added. Beginning in 1853 and for decades to come, the City of Light became a construction zone.

The Boulevard du Crime, along with most of its theatres, was demolished in 1862, to the dismay of dramatic audiences, replaced by the expanded plaza now known as Place de la Republique.

Today’s square is a popular gathering spot for Parisians young and old. It has hosted events from concerts to mass demonstrations. A bronze statue of Marianne, symbol of the French Republic, stands at its center, surrounded by figures representing Liberty, Equality and Fraternity.

Rights to Daguerre’s revolutionary invention, the daguerreotype process, were acquired by the French government in 1839 and offered unconditionally as a gift to humanity. Within months, daguerreotype cameras had spread throughout the world, recording images that we treasure — and, yes, repeat.

WEB EXTRAS

First, we offer boundless thanks to Berangere Lomont, whose friendship, generosity, and breathtaking photography have always provided inspiration and joy.

We also congratulate Paul Dorpat on the column he created 40 years ago. His remarkable contributions to our region’s history are unparalleled and will stand as monuments to his boundless curiosity, passion and scholarship.

We include a few photos of Paul exploring his beloved Paris in 2005 with photographers Berangere and Jean in tow. Also making an appearance is Paul’s dear pal Bill Burden, who joined us in Paris.

Let’s begin with a hilarious photo and video of Paul, meeting his twin in Paris:

Paul and his Paris twin, 2005
Paul and Berangere on a bateau mouche
Man with a camera
Statuesque Paul at the Louvre
Berangere with husband Denis
Paul and Bill Burden greet with a kiss
Denis, Paul and Bill
Dinner chez Berangere
Alarming cheeses
Denis, Paul, Mike
In the Louvre
In dim Sainte Chapelle using Bill head as tripod
Berangere snaps two old friends
Near Place des Vosges
Berangere repeats photos…
Last morning in Paris

 

 

 

 

 

 

4 thoughts on “Seattle Now & Then: On Our Fortieth Annniversary – celebrating the dawn of photography”

  1. As I dressed for the theater that afternoon I realized that the machine I had built for capturing these images was situated so as to see the reflection, our my window, as echoed in the large plate mirror on the oppositite wall, under which Aimee was still dreaming of our séance, so I turned it around to take another capture of the street scene, not reversed. Which pray tell is this version? Window pane or mirror?

  2. CONGRATULATIONS TO PAUL DORPAT…

    YOU ARE DEFINITELY A HERO TO MANY..
    THANKS FOR YOUR VISION!
    jim

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