Seattle Now & Then: Westlake tunnel art, 1988

(Click and click again to enlarge photos)

THEN: A Metro bus rolls past artist Gene Gentry McMahon’s underground mural in 1988 at Westlake station of the Metro Bus Tunnel. (Right) To match her mural characters, McMahon wears chic duds with panache, including a red rose while attending the 1988 dedication ceremony. Her mural peeks out below her. (Courtesy Gene Gentry McMahon)
NOW: Holding a rose to match the red rose she wore at the 1988 dedication ceremony, Gene Gentry McMahon stands in front of her Westlake station mural in the downtown Sound Transit train tunnel. (Clay Eals)

Published in The Seattle Times online on April 25, 2024
and in Pacific NW Magazine of the printed Times on April 28, 2024

Beneath downtown, McMahon’s chic characters still tweak vanity
By Clay Eals

When legendary comic Red Skelton played the Puyallup fair in September 1987, he opened with a timeless joke that works for any big burg: “Good to be back in Seattle. Great city — when they get it done.”

THEN: Artist Gene Gentry McMahon’s mural takes shape underground in 1988 at Westlake station of the Metro Bus Tunnel. (Courtesy Gene Gentry McMahon)

His shtick stung because just six months earlier, construction had begun downtown on the Metro Bus Tunnel, disrupting traffic and shopping until its completion in 1990. Buses running in the completed tunnels were replaced later by Sound Transit light-rail trains. But lingering underground today from the late 1980s are eye-popping, publicly funded works by two-dozen artists, including Seattle painter Gene Gentry McMahon.

THEN: Artist Gene Gentry McMahon (left) and an employee of now-closed Pioneer Porcelain in Georgetown lift a Westlake mural panel after the panels were painted with frit and fired in 1988. (Courtesy Gene Gentry McMahon)

With “relish and bounce,” McMahon has spent decades poking gentle fun at “stiletto, high-heeled romances in which women on the make mate with underworld thugs,” as one critic opined. That theme was writ large in her 35-by-10-foot transit-tunnel mural installed in 1988 at Westlake Station beneath what was the city’s most elegant department store, Frederick & Nelson.

NOW: Gene Gentry McMahon’s signature fills a depicted price tag at the bottom right of her Westlake mural. (Clay Eals)

Today, with Nordstrom above, the mural’s chic characters sparkle in brash juxtaposition as if the piece were brand new. “It’s social commentary about fashion and grooming and how we choose to present ourselves,” McMahon says. “It’s what people wear and bring when they travel, with the mannequins, models and products. I’m playing a little bit on vanity.”

The universal subtext fits a public setting and tweaks an era that is no more, says Greg Kucera, former Frederick’s employee and longtime McMahon champion who after 38 years of operating a Seattle art gallery moved two years ago to France.

NOW: Holding a rose to match the red rose she wore at the 1988 dedication ceremony, Gene Gentry McMahon looks back at a portion of her Westlake station mural in the downtown Sound Transit train tunnel. (Clay Eals)

“Gene’s art is both literal and very incisive,” he says. “Her mural is an homage to a time of consumerism pre-internet, with the old-fashioned sense of relationship to a salesperson and with products you touch and smell before you buy. The idea of shop-by-mail was quaint. Now everything is delivered to your house.”

NOW: Artist Gene Gentry McMahon eyes her 35-by-10-foot mural at Westlake station while a Sound Transit train’s doors open for passengers. (Clay Eals)

These days, McMahon, 81, maintains a studio on Elliott Avenue West, near the P-I globe. There, she conjures lively, provocative art pieces while documenting and cataloguing her countless works. An impish gleam in her eye still conveys edgy enthusiasm.

“I saw the weirdest ad for Nordstrom yesterday,” she says. “It made me want to do [the Westlake mural] all over again. It showed regular white tennis shoes, like Keds. It said they were the most comfortable shoes for the season. Then it showed really high platform heels. Both pairs had gobbledygook flowers. The tennis shoes were $1,200. The platforms were $3,000. I was so revolted. I’m going to use those shoes for something!”

Obviously, neither Seattle nor McMahon is “done.”

NOW: Framed by “Westlake” signs, Gene Gentry McMahon’s underground mural is seen in panoramic view. (Clay Eals)

WEB EXTRAS

Thanks to Greg Kucera and especially Gene Gentry McMahon for their invaluable help with this installment!

No 360 video this week, but below you will find 7 additional photos and, in chronological order, 18 historical clips from The Seattle Times and Seattle Post-Intelligencer online archive (available via Seattle Public Library), Newspapers.com and Washington Digital Newspapers, that were helpful in the preparation of this column.

Gene Gentry McMahon stands before a mockup of her Westlake tunnel mural in 1988. (Mike Seidl, courtesy Gene Gentry McMahon)
NOW: At the site of a different piece of public art she created, Gene Gentry McMahon explains how Portuguese tile influenced her in assembling a 1999 West Seattle historical mural for the King County Metro bus shelter at the corner of Southwest Admiral Way and California Avenue Southwest. (Clay Eals)
THEN: The Admiral bus shelter, including bottom art panels now missing, stands Feb. 12, 2014. When the shelter was refurbished in 2016, the wooden panels at the bottom had rotted, and sadly, the lower tiles were not retained by King County Metro. The lower panels included depictions of West Seattle notables Normie Beers, Frances Farmer, Ivar Haglund, Gypsy Rose Lee and Dietrich Schmitz. (Clay Eals)
Portuguese art tiles inspired Gene Gentry McMahon’s approach to her transit shelter project depicting West Seattle history. (Gene Gentry McMahon)
Portuguese art tiles inspired Gene Gentry McMahon’s approach to her transit shelter project depicting West Seattle history. (Gene Gentry McMahon)
Gene Gentry McMahon holds a portrait of her taken by (right) Preston Wadley during McMahon’s Oct. 20, 2024, studio sale prior to her move to Bremerton. (Clay Eals)
Gene Gentry McMahon greets visitors during McMahon’s Oct. 20, 2024, studio sale prior to her move to Bremerton. (Clay Eals)

June 29, 1962, Seattle Post-Intelligencer, p5, in which Gene Gentry is shown as a display model for the Paul Bunyan cake at the Food Circus.
Aug. 29 1963, Seattle Times, p24.
October 1983, United magazine, Gene Gentry McMahon portrait.
May 11, 1980, Seattle Times, p118.
Sept. 14, 1984, Seattle Post-Intelligencer, p62.
May 8, 1986, Seattle Post-Intelligencer, p59.
Oct. 16, 1986, Seattle Post-Intelligencer, p30.
Oct. 26, 1986, Seattle Times, p127.
Oct. 26, 1986, Seattle Times, p128.
Oct. 31, 1986, Seattle Post-Intelligencer, p75.
Feb. 29, 1987, Seattle Post-Intelligencer, p17.
April 17, 1987, Seattle Post-Intelligencer, p53.
April 17, 1987, Seattle Post-Intelligencer, p61.
Aug. 7, 1988, Seattle Times, p141.
Aug. 7, 1988, Seattle Times, p142.
Aug. 7, 1988, Seattle Times, p143.
Aug. 7, 1988, Seattle Times, p144.
Aug. 7, 1988, Seattle Times, p145.
Aug. 7, 1988, Seattle Times, p146.
Aug. 7, 1988, Seattle Times, p147.
Aug. 7, 1988, Seattle Times, p148.
March 12, 1989, Seattle Times, p134.
April 14, 1991, Seattle Times, p130.
April 12, 1992, Seattle Post-Intelligencer, p25.

And here, to note this column’s lead, we present a couple of 1980s articles about funnyman Red Skelton:

Sept. 3, 1983, Seattle Times, p54.
Sept. 4, 1983, Seattle Times, p107.

Seattle Now & Then: Northwest Kidney Centers, 1962

(click to enlarge photos)

THEN1: Clyde Shields receives dialysis at University of Washington Hospital. Invention of the “Scribner shunt” gave hope to patients suffering from renal failure. Dr. Belding Scribner affectionately nicknamed Shields “Number One.” (courtesy NW Kidney Centers)
NOW1: At the Northwest Kidney Center Museum, Clyde Shields’ family members — (from upper left) Linda, Jeff (kneeling), Jon, Jennifer and Tom Shields — pose around an early home dialysis machine, the same model installed in Shields’ basement during the last five years of his life. Family members named it “Chitty Chitty Bang Bang” after the unusual noises it made. (Jean Sherrard)

Published in The Seattle Times online on April 18, 2024
and in Pacific NW Magazine of the printed Times on April 21, 2024

Light overcame darkness for pioneer kidney patient Clyde Shields

By Jean Sherrard

I saw my physician father cry only once. At his retirement party, he completely choked up when speaking about a man named Clyde Shields. The admiration was not misplaced.

Neither doctor nor researcher, Shields was the world’s first-ever ongoing kidney dialysis patient, here in Seattle. His contributions helped improve and extend millions of lives.

The Northwest Kidney Centers, founded in 1962, celebrated its 62nd anniversary with a Shields-related double act. On March 14, the long-anticipated Dialysis Museum opened in Burien, and the annual Clyde Shields Award for Distinguished Service, bestowed since 1991, was given to Rich Bloch, former Centers board chair.

This year’s Clyde Shields Award for Distinguished Service was presented March 14 to Rich Bloch, former NWKC board chair, in the new Dialysis Museum’s atrium. (Jean Sherrard)

Before 1960, a diagnosis of end-stage renal disease had only one possible outcome — death. Existing dialysis machines offered temporary relief from accumulated toxins, but repeated use permanently destroyed blood vessels.

Then Seattle nephrologist Dr. Belding Scribner (1921-2003), agonizing over the loss of a young patient, had a “Eureka!” moment.

Dr. Belding Scribner, whose passionate dedication made Seattle the world’s epicenter of treatment for kidney disease. (NW Kidney Centers)

“I literally woke up in the middle of the night,” he recalled years later, “with the idea of how we could save these people.”

The solution? A surgically installed tube providing a loop between artery and veins might be opened and closed as needed for repeated dialysis without destroying blood vessels.

With the help of UW mechanical engineer Wayne Quinton, Scribner created the “Scribner shunt,” a U-shaped Teflon device whose non-stick surface helped to prevent blood clots.

Scribner’s first patient was Shields, a 39-year-old machinist dying of kidney failure. On March 9, 1960, the newly improvised shunt was implanted in Shields’ arm and attached to a dialysis machine.

The results were immediate and dramatic. “As the waste was filtered from my body,” Shields said, “it was just like turning on the light from the darkness.”

“We took something that was 100 percent fatal and overnight turned it into 90 percent survival,” Scribner said.

For the next 11 years, Shields underwent dialysis, which entailed three 12-hour sessions per week.

The Dialysis Museum showcases 25 vintage and current dialysis machines. (Jean Sherrard)

Until his death from a heart attack in 1971, Shields, a skilled machinist, served as research partner as much as patient. “Time after time,” Scribner said, Shields was “the observant patient who

Tom Shields, son of Clyde.

put us onto a new solution.” His courage and insights proved invaluable in solving problems as they arose.

Today, Shields’ son Tom injects a personal note of gratitude for the treatment that extended his father’s life. “Those 11 extra years were so important to me,” Tom says. “If dad taught me one lesson, it’s don’t give up. Get back to work and get her done.”

WEB EXTRAS

Just a couple this time round.

The assembled crowd celebrates the 62nd anniversary of the NW Kidney Centers.

And ending on a personal note – a portrait of Jean’s dad, Dr. Don Sherrard, who choked up talking about his favorite patient Clyde Shields. It’s displayed on the wall at the museum.

Dr. Don Sherrard, 1934-2019.

Seattle Now & Then: St. Vincent Home for the Aged, 1923

BONUS: Here is a panoramic view of the Mount’s April 26, 2024, centennial Group Hug photo.

Residents and staff pose for the Mount’s centennial Group Hug photo. (Panorama by Clay Eals)

(Click and click again to enlarge photos)

THEN: With northern West Seattle behind them and downtown in the mist, benefactors and contractors face south from the third floor of the under-construction St. Vincent Home for the Aged, likely on July 29, 1923, when the building’s cornerstone was laid: (from left) A.W. Quist, general construction contractor; Mr. Farrell, building committee; A.S. Downey of A.W. Quist Co.; unidentified; Mrs. Frank McDermott; John Graham, architect; Frank McDermott of Bon Marché; Mrs. I. Nordhoff; I. Nordhoff of Bon Marché; Mr. Hellerthal, heating contractor; Frank M. Sullivan, fundraising chair; unidentified; Mr. Davis, plumbing contractor; Mr. Haskleman, electrical contractor; W.F. Grant; Mr. Hunt; A.O. Peterson. (Providence Mount St. Vincent Archive)
NOW: Backed by downtown and atop five-floor Providence Mount St. Vincent are supporters and leaders (from left): Pat Dunn, founding benefactor descendent; Margaret Purcell, foundation board member; Susan Clark, board member (red scarf); Matt Lyons, Nucor Steel Seattle general manager; Walter Reese, Nucor Steel Seattle controller; Pam Gallagher-Felt, board member; Charlene Hudon, Sister of Providence and board member; Tanisha Mojica, clinical services director; Molly Swain, foundation executive director; Colleen Farrell, board member; Mary Hongnga Nguyen, Sister of Providence and St. Joseph Residence administrator; Susanne Hartung, Sister of Providence and chief mission officer, Providence North Division; Albert Angkico, skilled nursing operations director; and Maricor Lim, administrator. The public centennial rededication on April 26 includes the opening of a 1924 time capsule at 10:30 a.m., a “group hug” photo and t-shirt giveaway to the first 300 participants at 12:30 p.m., multi-era music and dance starting at 1:30 p.m. and an evening outdoor movie. (Clay Eals)

Published in The Seattle Times online on April 11, 2024
and in Pacific NW Magazine of the printed Times on April 14, 2024

Presiding over West Seattle,
the Mount’s heart has beaten for 100 years
By Clay Eals

Not for nothing is it known as the Mount.

THEN: The Mount complex in the 1940s. (Providence Mount St. Vincent Archives)

Perched on one of Seattle’s highest hills is Providence Mount St. Vincent care center. Its promontory along 35th Avenue Southwest oversees northern West Seattle and boasts a commanding view of downtown.

Likewise, though its 9.3 acres are walled off from much of the surrounding streetscape, the Mount holds a reputation and presence as warm as it is lofty.

NOW: Providence Mount St. Vincent staff blow kisses to residents during an Appreciation Week event in July 2023. Over time, hands-on duties were transferred to lay caregivers. (Peter Howland)

Anyone who’s lived long in West Seattle probably has known of an elder family member or friend among its 800 yearly rehab patients or 175 others living final chapters under skilled nursing care. Toss in 109 apartments, a 100-child daycare, 200 volunteers and 487 staff from varying ethnicities, and you get an influential chunk of the community’s foundation.

That, of course, derives from longevity. The Mount building marks its centennial April 26, with a morning-to-evening rededication 100 years to the day since the first such public ceremony.

THEN: Celebrants gather at the front (east) entrance of St. Vincent Home for the Aged on April 26, 1924. The stairway and cross were removed in a mid-1960s rebuild. (Providence Mount St. Vincent Archive)

Initially women-driven, the non-sectarian center took root in Catholicism long before 1924. Its founding Sisters of Providence organized in the 1830s in Montreal. In 1858, they launched the first Pacific Northwest hospital, at Fort Vancouver. World War I interrupted plans in 1914 to expand to Seattle, but 10 years later saw the opening of the bluff-topped, dark-bricked, five-story complex, then called the St. Vincent Home for the Aged.

THEN2: Sixty-nine Sisters of Providence stand outside St. Vincent Home for the Aged in 1930. The sisters served in all administrative, operational and caregiving roles. (Providence Mount St. Vincent Archive)

“A woman who gives her life to care for the old is as much a patriot as the soldier who gives his life on the field of battle,” Acting Gov. William Coyle said in praising founders at the dedication. “Your service is as great in peace as in war.”

NOW4: In this northeast-facing view in July 2023, northern West Seattle and downtown are the backdrop for the 1965 St. Joseph Residence (left) and H-shaped Providence Mount St. Vincent, rebuilt in the mid-1960s. (Peter Howland)

Seen from above, the Mount’s layout forms an “H,” certainly symbolic of health. At its core, like a rudder, is a grand chapel. As times evolved, so did the institution’s name, services, staffing and outer face (a major mid-1960s rebuild and additional St. Joseph Residence gave it softer tones of tan and brown).

NOW: Old and young collaborate in the Mount’s Intergenerational Learning Center in 2016. (Peter Howland)

A high point came in 2015 when NBC “Today” showcased the Mount’s innovative Intergenerational Learning Center, pairing seniors with preschoolers, starting in 1991. The clasped hands and blended voices of old and young tugged at televised heartstrings.

Actually, the Mount’s centennial saga could generate at least 100 such heartwarming stories. One could be culled from 1974, when caregivers urged a resident in her 80s to keep moving to stay young in spirit. But she resolutely asserted she was too old for yoga classes: “I’m not going to stand on my head at my age.”

No wonder. She might not have been able to enjoy the view.

WEB EXTRAS

Thanks to Molly Swain and Veronica Couto of Providence Mount St. Vincent and Cynthia Flash of Flash Media Services for their invaluable help with this installment!

To see Clay Eals’ 360-degree video of the “Now” prospect and compare it with the “Then” photos, and to hear this column read aloud by Clay, check out our Seattle Now & Then 360 version of the column.

You also will find a commemorative booklet, 10 additional photos (including several then/now pairs submitted by the Mount) and, in chronological order, 29 historical clips from The Seattle Times and Seattle Post-Intelligencer online archive (available via Seattle Public Library), Newspapers.com and Washington Digital Newspapers, that were helpful in the preparation of this column.

Click this image to download a pdf of the Mount’s 100-year commemorative booklet.
The Mount’s 50-year logo in 1974. (Providence Mount St. Vincent Archives)
The Mount’s 100-year logo, 2014. (Providence Mount St. Vincent Archives)
THEN: Circa 1948, Sisters of Providence assemble bundles of provisions for those in need. (Providence Mount St. Vincent Archives)
THEN: Residents of the Mount ride a bus in a 1960s outing. (Providence Mount St. Vincent Archives)
THEN: The Mount’s chapel, in the heart of the building, served Sisters of Providence and novices who received on-site training to enter the community of Sisters. (Providence Mount St. Vincent Archives)
NOW: With only a few modifications from the 1924 design, the chapel remains at the center of the Mount campus, hosting Catholic Mass, Protestant and non-denominational services, end-of-life remembrances and even weddings. (Providence Mount St. Vincent)
THEN: Sisters of Providence welcomed a few lay people to its leadership team in the early 1970s. (Providence Mount St. Vincent Archives)
NOW: Sisters of Providence no longer fulfill roles on-site, yet the lay leadership team, shown in 2018, continues the mission. (Providence Mount St. Vincent Archives)
THEN: The Auxiliary of Women guild, shown circa 1950, was established in the early 1920s and helped raise funds to build the Mount in 1924. The group continues today to raise support and engage residents and the community. (Providence Mount St. Vincent Archives)
NOW: The annual Black Tie Bingo fundraising event, shown in 2023 and established in 2001, raises funds for charity care and life programming at the Mount. (Providence Mount St. Vincent Archives)
Aug. 22, 1029, Seattle Times, p60.
Jan. 23, 1923, Seattle Times, p17.
Jan. 24, 1923, Seattle Post-Intelligencer, p13.
July 12, 1923, Seattle Star.
May 2, 1923, Seattle Times, p8.
July 27, 1923, Catholic Progress.
Sept. 30, 1923, Seattle Times, p53.
Jan. 27, 1924, Seattle Times, p14.
April 16, Seattle Times, p4.
April 18, 1924, Catholic Progress.
May 2, 1924, Catholic Progress.
Dec. 8, 1926, Seattle Times, p8.
April 8, 1930, Seattle Times, p5.
Jan. 18, 1944, Seattle Post-Intelligencer, p11.
June 21, 1945, Seattle Post-Intelligencer, p11.
Jan. 3, 1951, Seattle Times, p16.
April 17, 1960, Seattle Times, p126.
Dec. 22, 1960, Seattle Post-Intelligencer, p34.
May 20, 1965, Seattle Times, p8.
May 21, 1965, Seattle Post-Intelligencer, p10.
July 15, 1965, Seattle Post-Intelligencer, p14.
May 25, 1967, Seattle Times, p24.
Aug. 13, 1967, Seattle Times, p101.
Oct. 19, 1969, Seattle Times, p116.
Oct. 4, 1970, Seattle Times, p50.
June 28, 1972, Seattle Times, p51.
April 7, 1974, Seattle Times, p58.
April 7, 1974, Seattle Times, p59.
Nov. 10, 1977, Seattle Times, p1.
May 8, 1978, Seattle Times, p17.

Seattle Now & Then: Sand Point Airfield, spring 1924

(Click and click again to enlarge photos)

THEN1: Ten days before the April 6 takeoff of the First World Flight, Mildred Whitcomb, wife of Seattle Chamber of Commerce President David Whitcomb Jr., christens the Seattle biplane at Sand Point with a bottle filled with “Champagne” taken from the waters of Lake Washington. For detailed background on the First World Flight, visit HistoryLink.org. at this link and this link. (Webster & Stevens, courtesy Museum of History & Industry)
NOW1: Simulating a modern christening ceremony are Friends of Magnuson Park leaders (back, from left) Elisa Law, executive director; Cynthia Mejia-Giudici, board member; Ruth Fruland, board member; Dianne Hofbeck, global outreach volunteer; and John Evans, board member. In front are celebration co-chairs Frank Goodell, board member, holding a model of a 1924 Douglas biplane; and Ken Sparks, president. Behind them is Building 41, which is adorned with eight student-painted aviation murals. The Friends hope to make it a visitor center. To “Follow the Journey,” visit FirstWorldFlightCentennial.org. (Clay Eals)

Published in The Seattle Times online on April 4, 2024
and in Pacific NW Magazine of the printed Times on April 7, 2024

For first world flight, from Seattle to Seattle, hope took to the air
By Clay Eals

Charles Lindbergh, Amelia Earhart, the Wright Brothers. We all recognize those aviation icons and their deeds.

But what about Army pilots Frederick Martin, Lowell Smith, Leigh Wade and Erik Nelson? Their names have eluded cultural literacy, though they were the initial pilots leading the inaugural round-the-world voyage by air, a six-month U.S. military feat that began and ended in northeast Seattle 100 years ago.

NOW2: Illustrating the First World Flight route is its centennial logo. The six-month 1924 feat is commemorated in a free exhibit open weekdays at Mercy Magnuson Place, 7101 62nd Ave. NE, at Sand Point. To “Follow the Journey,” visit FirstWorldFlightCentennial.org. (Friends of Magnuson Park)

This weekend marks its centennial. On April 6, 1924, some 300 onlookers witnessed four two-seat, open-cockpit Douglas biplanes named Seattle, Chicago, New Orleans and Boston taking off from Sand Point Airfield. Using interchangeable wheels and floats for periodic landings, the armada headed northwest — clockwise if you could eye the route from above the North Pole.

THEN4: The odyssey’s first leg, from Seattle through Alaska to Japan, is charted in this Seattle Times map from April 14, 1924. (Seattle Times online archive)

In this nascent era, among relentless complications, two planes perished. The Seattle crashed into an Alaskan mountain. Its two-man crew hiked five days through snow, holed up in a trapper’s cabin three days and walked one more day before their rescue and return home.

THEN2: Piloted by Lt. Leigh Wade, one of the four 1924 biplanes is shown at Sand Point Airfield. (Seattle Post-Intelligencer, courtesy Museum of History & Industry)

The Boston sank near Iceland, replaced by a backup, the Boston II. The original Boston crew later joined the crews of the Chicago and New Orleans, and the three planes came full circle, landing Sept. 28 at Sand Point, greeted by an adoring crowd of 40,000.

The 175-day sojourn touched 22 countries, some of which had never seen a plane. The purposes, outlined by Major Gen. Mason Patrick, were lofty:

  • Demonstrate aerial communication with “all countries of the world.”
  • Prove flight as practical “through regions where surface transportation does not exist or at least is slow, dangerous and uncertain.”
  • Show that aircraft could operate “under all climatical conditions.”
  • Prompt aircraft to adapt to “the needs of commerce.”
  • Showcase the “excellence” of American aircraft and byproducts.
  • Honor America as “the first nation to finally circumnavigate the globe.”
THEN3: One of the four pontoon-equipped biplanes is shown on Lake Washington. (Webster & Stevens, courtesy Museum of History & Industry)

Indeed, hope filled the air for the April 6 launch. “Seattle has an interest in the gallant effort of the Army airmen not felt by other cities,” The Seattle Times editorialized that day. “It is here that they make their adieus and receive the expressions of goodwill from an admiring city.”

NOW: The First World Flight commemorative monument at the entrance to Magnuson Park. (Clay Eals)

The same hope imbues this year’s six-month First World Flight Centennial celebration. The Friends of Magnuson Park group plans big events at Sand Point and the Museum of Flight around the Sept. 28 return date. But fittingly the party already has begun in the intangible air of the internet, with a “Follow the Journey” campaign on Instagram and Facebook.

“It’s a daily experience,” says Elisa Law, executive director, “to drum up global recognition and collective memory.” Through it, the Friends seek to unearth photos and other artifacts from the flight’s 74 worldwide stops.

As for Martin, Smith, Wade and Nelson? We could call them “The Boys in the Sky.” Hollywood, anyone?

WEB EXTRAS

Thanks to Jade D’Addario of the Seattle Room of Seattle Public Library, Wendy Malloy of the Museum of History & Industry, Phil Dougherty of HistoryLink and to Elisa Law and Cynthia Mejia-Giudici of Friends of Magnuson Park for their invaluable help with this installment!

To see Clay Eals’ 360-degree video of the “Now” prospect and compare it with the “Then” photos, and to hear this column read aloud by Clay, check out our Seattle Now & Then 360 version of the column.

You also will find 2 more videos, 64 additional photos and, in chronological order, 8 historical clips from The Seattle Times and Seattle Post-Intelligencer online archive (available via Seattle Public Library), Newspapers.com and Washington Digital Newspapers, that were helpful in the preparation of this column.

And don’t miss these in-depth HistoryLink stories on the First World Flight by Phil Dougherty:

And this link for a long-running dream:

The following panels are from a free exhibit commemorating the six-month 1924 feat, open weekdays at Mercy Magnuson Place, 7101 62nd Ave. NE, at Sand Point.

The following panels are the initial Instagram posts for the First World Flight centennial celebration.

The following images are of the 2021 aviation murals created by students at Building 41 at Sand Point. The Friends of Magnuson Park hope to make it a visitor center.

The following photos depict an aviation display at Magnuson  Community Center, 7110 62nd Ave NE.

The following photo and video are from Magnuson  Community Center’s dedication July 7, 2023.

Elisa Law, executive director of Friends of Magnuson Park, speaks during the July 7, 2023, dedication of the renovated Magnuson Community Center. (Clay Eals)

The following photos depict the First World Flight commemorative monument at the entrance to Magnuson Park.

(Clay Eals)
(Clay Eals)
(Clay Eals)
(Clay Eals)
(Clay Eals)

The following photos are from the collection of Ron Edge.

Lt. John Harding, copilot of the New Orleans plane for the First World Flight, visits the flight monument at Sand Point in May 1929 with his new wife. The two stand next to their new Ford. (courtesy Ron Edge)
Leigh Wade dismantles his engine before replacing it with a new Liberty 400 motor. He explained that he needed more power with the use of pontoons, which replaced the landing gear at Sand Point before take-off. (International Newsreel, courtesy Ron Edge)
A Real Photo Postcard of the First World Flight refueling at Seal Cove, Prince Rupert, BC, Canada. (Courtesy Ron Edge)
A First World Flight scene in Reykjavik, Iceland. (Courtesy Ron Edge)
A period game based on the First World Flight. (Courtesy Ron Edge)

The following panels are from the May 2023 newsletter of Friends of Magnuson Park.

The following photos are from a photo album given by the Navy to Tiburcio V. Mejia at Sand Point in 1956. Here is a remembrance from his daughter, Cynthia Mejia-Giudici, board member of Friends of Magnuson Park:

“My father, Tiburcio V. Mejia, was a chief petty officer in the Navy, then a steward as that was the highest level Filipinos could attain at that time. We transferred here December 1956, and he retired during the 1965 school year. I was 12 or 13 in the group photo below. My brother, Ted, was about 10, and my sister, Leslie Ann, was 5 or 6. My mother, Connie, was a proud wife.

“My brother said that the photo album was most likely presented to my dad when he retired, possibly as a commemorative gift. Dad enlisted at Glenview, Ill., in 1942. He served admirals on aircraft carriers. We have slippers from his travels to Algeria and photos of him wearing a Scottish kilt. He was in the European theater and didn’t see ground combat. One of his assignments was on the USS Missouri. My father kept a file of programs of dinners that he who most likely coordinated, also recipes. Precious stuff!”

 

March 28, 1924, Seattle Post-Intelligencer, p1.
April 6, 1924, Seattle Times, p6.
April 6, 1924, Seattle Times, p17.
April 7, 1924, Seattle Post-Intelligencer, p3.
April 7, 1924, Seattle Times, p3.
April 13, 1924, Seattle Times, p17.
April 13, 1924, Seattle Times, p20.
May 5, 1929, Seattle Times.