A few weeks ago we featured the Green Lake Theater, photographed by Lennard LaVanway in 1947. Here is LaVanway’s Ridgemont Theater, and also from ’47.
I suspect that many readers will remember the Ridgemont as Seattle’s primary “art house” in the 1960s and ’70s. Jim Selvidge, the manager through most of those experimental years, “modestly” describes his theater “as the trigger that led to Seattle’s current reputation in Hollywood for the hippest audiences, the place to go if you want to test a film.”
Many of my best early film experiences in big, dark rooms were had from its seats or from Selvidge’s other repertoire venue, the Edgemont in Edmonds. I thank him. Since most of these were foreign films with subtitles, the Ridgemont was considered by some a “communist front” and the lights of its marquee were at risk — pelted often with rocks, eggs and even excrement.
Likely, though, the dangers were small when the Phinney Ridge theater was showing films like those showing here: “Easy to Wed,” a romantic comedy with Van Johnson, Esther Williams and Lucille Ball, and “Terror by Night,” a Sherlock Holmes thriller in which Basil Rathbone has to solve a Rhodesian diamond theft and find a murderer among the passengers of a train running from London to Edinburgh. Easy to do for Sherlock.
Rapping it now, thanks to local film historian David Jeffers for this tight summary of the Ridgemont’s long life. “It was a big-box neighborhood theater with 452 seats. Opened as Houghton’s 78th Theatre in 1919, Ridgemont in 1922, Bruen’s Ridgemont in 1928, remodeled twice, in 1938 and 1967.” After 70 often adventurous years, it closed in 1989.
Anything to add, Paul?
Yes and Welcome back from your European adventures, with your students from Hillside and then also with Berangere (of this blog). The Blog has missed you and your mastering. Now I’ll add a few more photographs, and with little comment.
Next up the block to 77th, the northeast corner with Greenwood Ave., and two more by LaVanway. It is a clapboard that has been now for many years familiar to us as the home of Moon Photo. (And yes they still do a color run for slide film.)