Seattle Now & Then: rally for open housing, 1964

(click and click again to enlarge photos)

THEN: In an image featured in a journal article by historian Dale Soden, 1,500 open-housing advocates gather March 7, 1964, at the old Westlake Mall after a march from Mount Zion Baptist Church. An open-housing ordinance on the city ballot three days later lost by a more than two-to-one margin. Visible beyond the Monorail tracks are the old Orpheum Theatre and, more distant, the Trailways bus depot. (Harvey Davis, Seattle Post-Intelligencer / Museum of History & Industry)
NOW: Dale Soden chooses a Black Lives Matter sign to stand near the same spot as the 1964 rally. Behind him is today’s Westlake Center, a 4-story shopping center and 25-floor office tower that replaced the old mall in the mid-1980s while the Monorail was slightly truncated and a new Westlake Park stretched to the south. On the old Orpheum site rose today’s Westin Hotel. (Jean Sherrard)

(Published in the Seattle Times online on Dec. 31, 2021
and in PacificNW Magazine of the print Times on Jan. 3, 2021)

Tracking the role of spiritual leadership in the public square
By Clay Eals

Here’s a New Year’s reflection as newly elected public servants take office this month:

While the First Amendment commands social distancing between government and religion, there’s never been a year they haven’t mixed it up. Indeed, spiritual leaders have long challenged citizens to use free speech and the ballot box for what they see as the public good.

This week’s “Then” photo, looking north at Seattle’s old Westlake Mall, is an apt demonstration. Led by Catholic, Jewish and Protestant clerics, some 1,500 opponents of racist real-estate covenants hoisted a sea of signs on March 7, 1964, to urge voter passage of a city open-housing ordinance.

“Voting against basic rights of men is against the will of God,” the Rev. James Lynch of St. James Cathedral told the crowd beneath the beams of the Monorail, which opened for the World’s Fair two years prior, and in front of the elegant 1927 Orpheum Theatre three years away from its razing.

With opponents stoking fears of “forced” housing, the 1964 measure failed, 115,627 to 54,448. But as vowed at the rally by the Rev. Dr. John Adams, chair of the Central Area Committee for Civil Rights, “We will not be deterred until we have the respect, dignity and freedom we deserve.”

The political tide turned in 1968 when the city council passed an open-housing ordinance whose ban on racial discrimination expanded in 1975 to gender, marital status, sexual orientation and political ideology; in 1979 to age and parental status; in 1986 to creed and disability; and in 1999 to gender identity.

Such issues captivate Dale Soden, a 35-year history professor at Spokane’s Whitworth University. He’s written two books and many articles documenting how religious activism — for good and ill — has shaped Northwest politics. His life’s work earned him the 2019-2020 Robert Gray Medal, the Washington State Historical Society’s highest honor, bestowed last September.

Soden, a white Lutheran, grew up in Bellevue, then nearly all-white. The earliest of his many career influences was his Black sixth-grade teacher at Robinswood Elementary School, the booming-voiced Don Phelps, a later KOMO-TV analyst and community-college chancellor in Seattle and Los Angeles.

Civil rights and Vietnam War protests fueled Soden’s adult direction: “I was always trying to figure out whether Christianity made any difference in how you looked at the world or lived your life.”

Clearly, he believes it has — and should. Though the Northwest is acknowledged as the least-churched region of the country, and while its religious leaders may seem less prominent in the public square than in 1964, Soden says their function “is still potent.”

WEB EXTRAS

To see Jean Sherrard‘s 360-degree video of the “Now” prospect and compare it with the “Then” photo, and to hear this column read aloud by Clay Eals, check out our Seattle Now & Then 360 version of the column!

Below are an additional photo, a PowerPoint presentation from the Washington State Historical Society, a video interview of Dale Soden and a historical clipping from the Seattle Post-Intelligencer, all of which were helpful in the preparation of this column.

Special thanks to Dale Soden for traveling to Seattle from Spokane to pose for our “Now” photo!

The covers of Dale Soden’s books.
A brief PowerPoint presentation on Dale Soden by the Washington State Historical Society.
Click this photo to see a 12-minute video interview of Dale Soden (Clay Eals)
March 8, 1964, Seattle Post-Intelligencer, page 77.

 

Seven Gables burning…

The Seven Gables Theater in flames on Christmas Eve, 2020

Was just emptying my spam filter and found this stunning photo shared by historian Kurt E. Armbruster.

Kurt comments: “We live just a couple of blocks away and Cedar saw a big puff of smoke, so I grabbed my phone and dashed over. Quite a spectacle. Sorry to see it go, but it was going anyway.”

Black Santa, 1985

By Clay Eals

PacificNW magazine of The Seattle Times is not running “Now & Then” in the Sunday print editions of Dec. 20 and Dec. 27, 2020.

So as one way to fill the gap for you, our faithful blog subscribers, I offer this “Black Santa” story of mine that appeared Christmas Day 1985 on the front page of the West Seattle Herald, for which I served as editor. The fine photos were by Herald photographer Brad Garrison. This is posted with the permission of Robinson Newspapers.

A couple months ago, thinking this story and photos might make the basis for a “Now & Then” column this month, I tried searching online for Tracy Bennett, the subject of this story, who would be 57 today. Alas, I turned up nothing.

Still, in our coronaviral time of health crisis and social, economic and political upheaval, this 35-year-old story about Tracy and his view on the Santa milieu remains timely, powerful and inspiring — at least that’s my hope.

At the time I wrote it, the story resonated quite personally, From 1985 to 1993, I volunteered more than 100 times to play Santa for children and adults at parties and in schools, community halls and private homes throughout Puget Sound as part of the American Heart Association’s “Santa with a Heart” fundraising program. As any Santa will tell you, it was a uniquely heartwarming and unforgettable experience. (See clippings at bottom.)

Please click any of the images once or twice to enlarge them for easy reading. And if you want to read the transcribed Black Santa text instead of reading directly from the images, scroll down.

Merry merry, and ho, ho, ho!

Dec. 25, 1985, West Seattle Herald, page one. (Posted with permission of Robinson Newspapers.)
Dec. 25, 1985, West Seattle Herald, page two. (Posted with permission of Robinson Newspapers.)

West Seattle Herald, Dec. 25, 1985

‘Just for you’

Black Santa relishes children’s happiness

Santa Claus, known as Tracy Bennett in the “off”-season, walks into a class of busy fifth- and sixth-graders at Hughes Elementary School in West Seattle.

“Hi, boys and girls,” says Santa.

“Oh, hi Santa Claus!” the students respond, almost in unison.

“Howya doin’?”

“Fine.”

“That’s good. I thought I’d drop in and visit you for a minute.”

“Yeah,” say a couple of students. “You changed colors.”

“Yeah,” answers Santa, “I sure did, didn’t I?”

By CLAY EALS

When most of those who are opening packages under the Christmas tree this morning think about “the man with all the toys,” their vision probably doesn’t look like Tracy Bennett.

That’s because Bennett is Black, while nearly all of the Santas in the world — at least in the United States — seem to be as white as the North Pole’s year-round snow.

Bennett isn’t bothered, however. He keeps an upbeat, optimistic attitude about the seasonal craft he’s practiced for the past 12 years. He says he’s encountered subtle prejudice from adults and skepticism from kids, but he boasts of being able to win over most of the doubters.

Exposure is what Bennett says he needs most. And so do the other Black Santas in America, he says.

Bennett got some of the exposure he desired last week when he walked the halls of both Hughes and Van Asselt elementary schools, the latter of which is attended by some students who live in southern West Seattle and the city side of White Center.

He roamed the halls at Hughes and, with the assistance of teacher Willa Williams, peeked into classrooms and dropped off sacks of candy canes, occasionally stopping for a few minutes to talk to kids on his lap. Bearing a staccato, smile-inducing “ho, ho, ho,” he almost resembled a politician, repeatedly extending his hand for a shake and greeting children with a steady stream of “Howyadoin’? … Howyadoin’, guy? … Hiya guys. Workin’ hard?”

The racially mixed classes responded in a generally positive way. Although one sixth-grader was heard to say, “I thought Santa Claus was white, because I saw a white Santa Claus at The Bon,” for the most part any negative comments centered on whether he was “real,” not on his skin color.

“He’s nice, but his hair’s made out of cotton. Weird,” said fourth-grader Jessica Canfield. “And he has clothes under his other clothes.”

“He’s fine, and I like him,” said fellow fourth-grader Johnny Cassanova. “He said that he would visit me, and he would try to get everything that I want for Christmas and to get good grades.”

Was he the “real” Santa? “Yeah,” said Johnny, “to me he is.”

“It went real good,” Bennett said afterward. “They were very polite. They weren’t skeptical. Mostly loving, you can tell.”

Bennett, who at 22 is unemployed and intends to go to school so that he can get a job either as a police officer or working with handicapped kids, began his Santa “career” at the young age of 10. “I started as a little dwarf and moved my way up,” the Rainier Valley resident said with a laugh.

Over the years, Bennett said, he’s been Santa at private gatherings and community centers in Seattle’s south end, and he’s pieced together a costume he thinks is unimposing. The key part, he said, is his beard, which is a rather flat affair.

“The big Santa Claus beards and hairs are so flocky, so thick, that it scares some children,” Bennett said. “His color of his suit and his beard is so bright already, along with the brightness of his face.

“A Black Santa Claus with a white beard seems to bring out an older look, and the color of my skin makes it look like a normal Black man wearing a suit.”

Consequently, he said, kids warm up to him rather quickly. “Apparently I work out pretty good,” he said.

Children, both white and minority, raise the racial question fairly often, Bennett said. They usually just say, “Santa Claus is white,” expecting a response, he said.

“But I really don’t say nothing. I just look at ’em and smile, or I say ‘Ho, ho, ho,’ and they usually don’t ask anymore,” he said. “I’m used to it, so it’s no problem.”

Bennett does look forward to a day when more Black Santas are around to break the racial ice at Christmastime.

“I’m not the only one, but I never see ’em in stores,” he said. If just one major downtown store would feature a Black Santa, “that would mean the 12 years that I’ve been working on it has started to come through,” he said. “It would be a breakthrough. I want it to happen.”

He also would like to see children exposed to Santas of a variety of races. “If we bring the children Black Santa Clauses, Korean Santa Clauses, Japanese Santa Clauses, the kids will like it after a while,” he said.

For that to happen, however, some prejudices will have to be broken down gradually. “You can feel it’s there,” he said. “You try to believe it’s not there, but you can see it in people’s eyes.”

Like any Santa Claus, Bennett finds it a “thrill” to portray Saint Nick to children. “When kids are happy, I’m happy. When they’re sad, I feel for ’em. I’d like to give ’em more than I can.”

He insists, however, that it’s important not to insist that he’s the “real” Santa when kids challenge him. He tells children, “You don’t have to believe in me. But I’m doing this just for you.”

“Why ruin a kid’s mind and say, ‘I’m real, believe me’?” he said. “He (Santa) is a beautiful man, OK? No one can take that away from him. But we have to tell what’s real from not. We have to tell our kids we play Santa Claus because we love children.”

Bennett also said it’s important not to push the religious aspects of Christmas as Santa. “When we talk about religion, we have to let kids do what they want, do not force them.”

Williams, the teacher, took the same approach in deciding to invite Bennett, a friend of hers, to visit Hughes. While Christmas “is a fun time and should be a time for joy,” she said she’s well aware of the Seattle School District’s policy that’s intended to separate religion from school activity.

Bringing Santa to the classroom — and a Black Santa at that — was an attempt to get students to “understand each other’s differences,” she said.

“When I told them Santa Claus might visit, one student told me, ‘I don’t believe in Santa Claus.’ Another said, ‘Santa Claus is my mom and dad,’ and another said, ‘Santa Claus is Jesus’,” Williams said. “It was just the idea of general thought and letting them express themselves and learning to accept each and every person and their differences as long as there isn’t any harm.”

For Bennett, the delight of being Santa is that “guy is just a giving person, you know?

“He gives away things to make people happy. If a child’s sick in bed, he sees Santa Claus, he’s going to try to smile as much as he can because he’s happy. When they say, ‘Santa Claus, you didn’t give me so-and-so,’ I say, ‘Well, maybe next year, OK?’

“I don’t tell them I’m going to get this (particular item) for them and get their hopes up. I tell them that maybe somebody will get it for them very soon.

“One guy said he wanted to go to college, and I said, ‘Maybe next Christmas or a few Christmases from now, you’ll be going to college and be saying you got your wish.’ ”

Bennett clearly is hooked on his annual role: “As long as I live and as long as I stay healthy, I’ll always be Santa Claus.”

P.S. Clay as Santa

As promised at the top, here are tidbits from my eight-year volunteer Santa Claus “career” for the American Heart Association: two clippings in which I demonstrate for other Santas the best way to don the uniform, plus a sketch I created to provide step-by-step guidance. Click once or twice on the images to enlarge them. —Clay

Nov. 11, 1992, North Central Outlook.
Dec. 16, 1992, West Seattle Herald.
Clay’s sketched guide to the most efficient order for donning elements of a Santa Claus suit.

A bonus:

Just for fun and to keep with the theme, I also dug up and am including a Santa article I wrote that appeared on Christmas Eve 1980 in the Oregonian near the end of my eight-year stint as a reporter and photographer for that newspaper. Again, click once or twice on the image to enlarge it for easy readability. Enjoy! —Clay

Dec. 24, 1980, Oregonian, page B8.

‘Seattle Now & Then: The Historic Hundred’ – still available for last minute gifting!

 

A quick reminder for column friends and fans: our prize-winning collection of ‘Seattle Now & Then’ columns (published in November 2018) is still available!

We’ve only got a few copies signed by Paul Dorpat and Jean Sherrard on hand, but they’re ready to be inscribed with a personal note and mailed out as last minute gifts.

Any questions, contact Jean directly at seattlenowandthen@gmail.com.

Here’s how to order

Another Rogue’s Christmas Carol at Town Hall, Sunday 2PM

Join us for our 13th annual Rogue’s Christmas in a live reading of Dickens’s ‘A Christmas Carol’ – this year featuring Seattle’s favorite Scrooge, Kurt Beattie, as well as Marianne Owen, Julie Briskman and Jean Sherrard.

Also, through the magic of video, Paul Dorpat sings ‘The Little Birdie Song’ not to mention a special pre-recorded appearance of our house band Pineola.

For more information, click on through:

https://townhallseattle.org/event/a-rogues-christmas-2020-livestream/

Seattle Now & Then: ‘The Coals of Newcastle’

(click to enlarge photos)

THEN: The Ford Mine complex at Coal Creek churns at near peak production in 1922. The hand-colored photo was discovered near Green Lake in the Micheletti family home. Patriarch Joseph Micheletti, originally from Villa Carcina, Brescia in northern Italy, worked in the mines for years before his untimely death in 1937, possibly of mine-related lung disease. (courtesy, Joe and Tami Micheletti)
NOW: Circling the now-sealed-off entrance to the Ford mine, 12 members of the Newcastle Historical Society writing team display copies of their book along with miners’ tools, having briefly lowered their masks for the photo. From left: Ray Lewis, Diane Lewis, Malcolm Lawrence, Mike Intlekofer, Tom Greggs, Harry Dursch, Margaret Laliberte, Vickie Baima Olson, Steve Baima, Eva Lundahl, Steve Williams, Barbara Williams. Team members not present: Russ Segner, Carla Trsek, Rich Crispo, Kathleen McDonald, and Dan Philpot. The mine entrance lies upper center in our “Then” photo, mostly obscured by clouds of steam. For more info on “The Coals of Newcastle: A Hundred Years of Hidden History,” visit newcastlewahistory.org.

(Published in the Seattle Times online on Dec. 10, 2020
and in PacificNW Magazine of the print Times on Dec. 13, 2020)

Danger, poverty, hope fuel ‘Coals of Newcastle’ immigrant story
By Jean Sherrard

When I teach an annual Northwest history course to middle-school students, one of my favorite pre-COVID lessons included an often-muddy field trip to Cougar Mountain in the foothills between Bellevue and Issaquah and their once-flourishing but nearly forgotten mining communities.

In the wet Pacific Northwest, as every homeowner can attest, iron rusts and wood rots with alacrity. Entire towns may disappear into the tangle of eager rainforest.

Case in point: the adjoining villages of Newcastle and Coal Creek, once home to more than 1,000 residents. For nearly a century, the hamlets fed the hungry maw of industry, power generation and home heating with vast tons of coal, besides helping to build the rails and docks that transformed Seattle into a major port city.

Local journalist and historian Lucille MacDonald and son Dick MacDonald first published their classic monograph, “The Coals of Newcastle: A Hundred Years of Hidden History,” in 1987, in collaboration with the Issaquah Alps Trails Club and the Newcastle Historical Society. Thirty-three years later, the historical society deemed it time for an update.

It took a village of 15 to tackle the mammoth task of revision. Nearly 18 months in the making and approaching 200 pages, lavishly illustrated with maps, graphs and many previously unpublished photos, the updated version is a history buff’s delight.

The story begins Jan. 9, 1864, when after “months of diligent search,” an exploratory party led by King County Surveyor Edwin Richardson made an exhilarating discovery on the banks of today’s Coal Creek. “This brook,” a weary Richardson recorded in field notes, “is remarkable for its numerous croppings of superior stone coal.”

Within weeks, Richardson and several companions staked out 160-acre claims surrounding the creek. Extraction soon began, at first haphazardly but increasing exponentially, and over the next 100 years yielded nearly 11 million tons of coal.

While the area’s vivid history is told with careful attention to detail, the book also shines with moving accounts of the lives of miners, their families and communities. Immigrants arriving in a new world found a toehold at the coal face.

Newcastle’s cemetery, now a historic landmark, provides haunting evidence of these lives lived and lost. The names on its moss-covered headstones reflect a record of migration from across the world. From China, from Europe, from the Americas they came, of many races and religions, confronting physical danger and exploitation, poverty and discrimination, and yet seeded with hope for a brighter future.

As my students have come to understand, it’s a lesson worth mining.

WEB EXTRAS

A few items, beginning with another photo of the writing team members and a map from the book itself. For more info on “The Coals of Newcastle: A Hundred Years of Hidden History,” visit newcastlewahistory.org.

Team members gather round a coal car, on display near the Ford mine’s entrance.
A map from the new book depicts the extent of coal mining at Coal Creek, today mostly swallowed up by forest.

For our 360 degree video taken at the site, and to hear this column read by Jean, visit us here.

Seattle Now & Then: Emerald Street Boys, Seattle hip-hop group, Westin skybridge, 1984

(click and click again to enlarge photos)

THEN: Posing on the Westin Hotel skybridge in 1984 are the Emerald Street Boys, formed in 1981: (from left) Eddie “Sugar Bear” Wells, James “Captain Crunch” Croone and Robert “Sweet J” Jamerson. The span was built in 1982 at second-floor level above Virginia Street between Fifth and Sixth avenues to connect the circular 1969 hotel with its new parking garage. (Kristine Larsen, courtesy Daudi Abe)
NOW: With masks briefly removed, standing in for the late Eddie Wells at left is Daudi Abe, author of “Emerald Street: A History of Hip Hop in Seattle” (University of Washington Press), while the two surviving Emerald Street Boys, James Croone (center) and Rcurtis Jamerson, re-create their 1984 poses on the Westin skybridge. For a video interview of the three, see below. (Jean Sherrard)

(Published in the Seattle Times online on Dec. 3, 2020
and in PacificNW Magazine of the print Times on Dec. 6, 2020)

Seattle helped hip hop cross into the cultural mainstream
By Clay Eals

Create a futuristic space in this Space Needle city, and you might launch more movement than you imagined.

Proof is the 1982 Westin Hotel skybridge, whose rounded roof ribbing seems to pull pedestrians into the world of tomorrow. So how fitting that Seattle’s celebrated early rap group, the aptly named Emerald Street Boys, chose the elevated walkway as the site for an early promo photo.

No one recalls why the shot was staged on the 66-foot, steel-beam span, but the image anchored the trio’s local roots and symbolized the professional beginnings of Seattle hip hop.

Tracing the saga of this 40-year cultural phenomenon — encompassing rap music, MCing, DJing, graffiti art and break-dancing — is a new book, “Emerald Street: A History of Hip Hop in Seattle” (University of Washington Press), by longtime Seattle Central College humanities professor Daudi Abe.

With voluminous detail in 262 pages, including a 40-page timeline and 21 pages of footnotes, Abe chronicles the previously undocumented rise of Seattle hip hop, from its national titans Sir Mix-A-Lot (from whom Abe secured a foreword) and Macklemore to less-known practitioners and trends. With a journalist’s eye, he weaves the growth of Seattle hip hop with broader events and tracks its evolution toward diversity.

Author Daudi Abe, in t-shirt with our “Then” image of the Emerald Street Boys from 1984.

“It could be argued,” he writes, “that Seattle is one of the more inclusive environments in all of hip hop, as over time African Americans, Africans, Asian/Pacific Islanders, Native Americans, whites, Latinos, women, the disabled, homeless and others have all been represented. … There is no question that misogynistic attitudes and inappropriate behavior — a characteristic of hip hop and society in general — were also present in Seattle.”

Though Abe says Seattle hip hop originally was seen as a fleeting fad, like disco, he affirms its enduring stature amid other forms of expression. His book supplies myriad examples, from a landmark Seattle Symphony show to an annual mayor’s award.

Of this progression, Abe stands in awe: “I’ve been teaching the history of hip hop for 20 years, and sometimes I find it difficult to get across how exciting it was. Nobody knew what was going to happen. There was no formula, no road map. Everything was so new. … Now it’s so natural. It’s so part of the mainstream.”

The Garfield High School graduate says that in his pre-teens, hip hop emerged as a “weapon against social and political oppression” that taught him about earning respect. With an unintentional nod to the Westin setting, he adds, “It also helps bridge our cultural gaps.”

WEB EXTRAS

To see Jean Sherrard‘s 360-degree video of the “Now” prospect and compare it with the “Then” photo, and to hear this column read aloud by Clay Eals, check out our Seattle Now & Then 360 version of the column!

Below are an additional photo and, in chronological order, 19 historical clippings from The Seattle Times online archive (available via Seattle Public Library) and other online newspaper sources that were helpful in the preparation of this column.

Also, here is a link to the Facebook page of “That Guy” Rcurtis Jamerson, singer /songwriter / music producer / lyricist / drummer / host / vocal coach / trainer / booking agent / actor / emcee.

As a bonus, here is the link to a 9-1/2-minute video interview of Daudi Abe, James Croone and Rcurtis Jamerson. If you click the photo below, you will open a pdf with a partial transcript of the interview. Enjoy!
Click on the photo to see a partial transcript of the video interview of author Daudi Abe and the two surviving members of the Emerald Street Boys, Rcurtis Jamerson and James Croone.
Here is an alternate NOW: With masks briefly removed, standing in for the late Eddie Wells at left is author Daudi Abe, while the two surviving Emerald Street Boys, James Croone (center) and Rcurtis Jamerson, re-create their 1984 poses on the Westin skybridge. For a video interview of the three, see above. (Jean Sherrard)
April 27, 1981, Seattle Times, page 53, Westin Hotel skybridge
June 28, 1981, Seattle Times, page 130, Westin Hotel skybridge.
April 9, 1982, Seattle Times, page 71.
April 9, 1982 Seattle Times, page 61.
April 23, 1982, Seattle Times, page 66.
Nov. 2, 1982, Seattle Times, page 33.
June 27, 1982, Seattle Times, page 51, Westin Hotel skybridge.
Nov. 3, 1982, Seattle Times, page 27.
Nov. 12, 1982, Seattle Post-Intelligencer, page 49.
Feb. 18, 1983, Seattle Times, page 54.
April 29, 1983, Seattle Post-Intelligencer, page 53.
April 29, 1983, Seattle Times, page 70.
May 27, 1983, Seattle Post-Intelligencer, page 24.
June 27, 1983, Seattle Times, page 70.
June 3, 1983, Seattle Times, page 65.
June 6, 1983, Seattle Times, page 43.
Sept. 25, 1983, Seattle Times, page 143.
Feb. 19, 1984, Seattle Times, page 114.
Feb. 19, 1984, Seattle Times, page 115.
April 29, 2010, Seattle Times.