
Our Daily Sykes #90 – Sam Hill's Maryhill Stonehenge





Horace Sykes loved orchids especially and there are nearly as many slides of flowers in his collection as there are landscapes.




In searching for this site I skimmed the surface of the Snake River from the mouth at the Columbia through the roughly 130 miles upstream to it’s Clearwater contributions at Lewiston/Clarkston on the Idaho-Washington border. About 20 miles down stream from Clarkston I found the site, or believed I had.
In the slack Lower Granite Lake, behind the dam of the same name, the orchard seen here far right has been submerged, and many others that once thrived along the banks of the Snake. (Horace Sykes took his photo ca. 1950 when the river was still running free, and the fish were not confused.) Ladders that were included with the four dams built in this stretch of the Snake between 1948, when the site was chosen for the first one, Ice Harbor ten miles above the Columbia, and 1975 when the last three – Lower Monumental, Little Goose, Lower Granite – were dedicated.
With the opening of the locks, Lewiston and Clarkston became ocean seaports. In the first full three-year period after this “Inland Passage” was completed, barge traffic increased through Lower Granite from 559,000 to 1,422,000 tons – by now a nearly ancient statistic, and one for which I have no recent update. Most of this was wheat that the railroads had formerly hauled, some of it to Puget Sound ports, although the commerce of southeast Washington was almost always more tied to Portland than to Seattle/Tacoma.
The Canyon drop here is on an average about 2000 feet from the wheat fields of the Palouse above to the lake/river. Garfield Country is south of the river and Whitman County to the north.
When I returned to Google Earth to hunt a name for the contributing gully on the right I became confused and could not find my way. Perhaps some reader would like to try and find this place again, starting with my suggestion (only) that it is about 20 miles down stream from Clarkston, and about 12 miles south of Pullman.
The road along the north bank of the river is called the Wawawai River Road. Wawhy we can imagine. (Click to Enlarge.)
[Click to Enlarge] When first I looked upon this Sykes slide I thought that it was most likely somewhere above Lake Chelan, and now after using – again – Googlecopter, it is confirmed.
That Horace Sykes also drove his Chevrolet up the Shady Pass Road from the Entiat River valley means that he reached the lake from behind. Or did he? It is also possible to reach these heights from the other end of Shady Pass Road at the 25 Mile Creek on Lake Chelan, this means that it is roughly 2/5th of the way up the lake from Chelan to Stehekin. I doubt that it standard to ferry anybody’s Chevy up the lake to 25 Miles Creek, so I conclude – as introduced – that it is more likely that Horace got to this prospect from the south – from the Entiat side. I name the prospect Grouse Mountain because there’s a blue dot photo there that is captioned so. The highest point on Shady Pass Road is a few miles northwest of this prospect and it is considerably higher. This elevation is about 4,500 feet. The Pass and its campground around 6,600 feet. Lake Chelan is 1,102 feet above Puget Sound.
If I have figured correctly the mountain seen far up the lake is Goods Mountain, the highest point in the North Cascades National Park, “the fourth highest non-volcanic peak in Washington, and the twelfth highest summit overall.” Quoting there from Wikipedia.
Mt. Goods has this added mystery. In spite of it height, Goods cannot be seen from any highway. It rests in a sublime boudoir surrounded by attendant (or at least watchful) peaks that reach heights nearly its own. Together they are not a massif – like the Wallowas in northeast Oregon – because this range continues on to all sides far beyond park boundaries .





A scene taken in the same direction and from nearly the same prospect as Sykes appears as a volunteered “blue-dot” photograph in Google Earth. It includes what I imagine is an ironic caption. “The east moraine before the houses go in.” I doubt that this slope has since been dappled with houses, although the uses of Lake Wallowa have been sometimes exploitive. This is Nez Perce land and by treaty it remained theirs until gold was discovered nearby and the lake and land around it was taken back by the feds for settlement – and the rest – in 1877.
The Nez Perce war with U.S. Regulars that followed was one of the last battles between “manifest destiny” and Native Americans, and led to the 1000 mile near escape of Chief Joseph and the tribe for Canada – but not quite to it. It was the occasion of the Chief’s famous “From where the sun now stands, I will fight no more, forever” speech. Now, in a mix of admiration and white guilt, Mt. Chief Joseph rises to the west of the lake as part of the massif known as the Wallowa Mountains, and the town of Joseph sits near the north end of the lake, in the direction Horace points his 35mm slide camera here.
To his left but out of frame, the south end of the lake is well stocked for tourists with lodges, cabins, marinas, and prepared food. Both Hells and Imnaha canyons (and several more) are off to the east, and not so far away. The several canyons that drain the Wallowas to the north are to the west and northwest of Wallowa Lake where one will also find the town of Minam.

Since Horace Sykes did not caption his subject, I needed some help. With good effect I asked coastwise historian Gene Woodwick, and she helped track these jetties down.
Since Sykes lived in Washington I thought first of the Washington coast, but what ports are there along our coast with jetties that resemble these? None. Gene suggested I move to Oregon, which is where Sykes came from when he moved to Seattle in the late 1920s to take up a new job as an adjuster with Northern Life Insurance. With Gene’s advice I started near the south end of the Oregon coast at Gold Beach, where the jetties are about 900 feet apart. But they did not match. Next I backtracked south to Chetco River – about 250 ft. wide at the mouth – but without success. Then I Googlecoptered up the entire Oregon coast and found six more pairs of jetties – and so eight in all. They appear in this order, south to north: Chetco, Gold Beach, Coos Bay (1700 feet), Glenada/Florence (750 feet), Yaquina Bay / Agate Beach / Newport (1100 feet), Tillamook Bay (1200 feet), Nedonna Beach (650 feet), and Rockaway Beach (600 feet). All those widths are approximate measures using Google’s yardstick.
It was not difficult to match the Yaquina Bay jetties, as looking west from the north end of the Newport Bay Bridge’s great arch, as the correct choice. We cannot tell, however, if Horace Sykes shot from a moving car or stopped for a moment on the bridge. You may note the lone boat heading into port.

Considering only the similar sky and the convenience of being nearby, Horace Sykes might well have taken this canyon-scape on the same trip that deadended for him at Hat Point where he recorded the scene shown yesterday as Sykes #72. Not typical for him, Sykes captioned both. That one yesterday “Hat” and this one “Minam.” We, however, are going to willfully suspend judgment on his “Minam” identification. We feel an intuition.
For those unfamiliar with Minam, it is a small town spectacularly sited at the north border of a braiding of canyons that resemble the curly regularities in the beards of Abyssinian war lords and/or dandies. We are familiar with those from ancient bas-relief sculpture and now here south of Minam we imagine them as seen from space, as on Google Earth, which is our authority in hirsute and other hairdressing matters as in much else, including topography. These canyons drain the north side of the Wallowa Mountains, which are Oregon’s more than match in size and elevation for Idaho’s Devils, noted yesterday. (And from the summit of Idaho’s He Devil to that of the Wallowa’s Matterhorn is a mere 40 miles. Both are a few stories under 10,000 feet tall.)
Now we will once more ride that devil crow, this time from Minam to Hat Point, which is about 50 miles to the east and a little to the south too of Minam. By highways and forest roads it took Horace 75 miles or more to reach Hat Point from Minam, but what a trip it was and still is – we imagine! Along the way – if you are driving – you, Horace and anyone will have to cross through the Imnaha Canyon, which to greatly simplify it is one canyon west of Hells Canyon, and for many in its scenery a more sublime spectacle than Hell’s. (Of course, we have not made any poll in this, but check it out and decide for yourself.)
Returning now to my intuition. I was stirred or agitated that the Sykes subject printed here might be a look into the Imnaha Canyon, rather than one of the several Minams, but, again, I know very little and speculate much. Still going back and forth between them, the melody to “Let’s Put the Whole Thing Off” sustained me. “You like Imnahas and I like Minams . . .” I did study via Google “helicopter” the Minam canyons “flooding” north from the Wallowas and twice came close to rising with a rousing Eureka from my adjustable desk chair! But with both canyons an irregular feature upset my discovery and I did recant. Still I was faithful to Horace’s lead – his caption – until I wasn’t.
So I returned to the Imnaha with a mildly guilty hope and to my surprise soon found a Google blue square (that is, a donated “click me” path to photographs) of the same subject and taken from nearly the same prospect as Syke’s own. However, to place it on the back of that now feverish crow, the blue dot is located 25 miles southwest of Hat Point and 7.5 miles southeast of the south end of Lake Wallowa, and that seemed to me to be way out of place. (Still there are not many other blue dots in its neighborhood and with those directions you should be able to find it.) Add to its seeming askew that the errant blue dot also has its own errant title – alas. It is named “Hells Canyon Oregon, 1986.”
Certainly, Sykes canyon and the blue dot’s own are NOT Hell’s Canyon. Perhaps the Google Earth blue dot photo was donated by a tourist from California or the Netherlands: generous but confused although generally in the correct corner of Oregon State. And for a while at least that is where we will leave Horace Sykes’ “Minam Canyon” as well, somewhere in that fanciful topographical mare’s nest* that is the northeast corner of Oregon State.
* Seen in toto (altogether) from space the northwest corner of Oregon IS a mare’s nest – except for those several canyons the run north from the Wallowa Mountains to Minam. Those are an Abyssinian’s groomed beard.
Pleas Continue with AN IMPORTANT IMNAHADENDUM
Now I have returned to my desk about three hours later and found it! My “intuition” or hunch about it being a look into Imnaha Canyon and not one of the Minams was right. Below, I have grabbed Sykes view with Google Earths – for a pair. The foreground will need some adjusting (Horace was a little lower than Google) but the more distance side of the valley – its west side as it is – lines up well between Google and Sykes. It is also a good witness to the “gloss” of the landscape that we get with Google, which with all its polishing and burnishing is a wonderfully revelatory tool.
The trick to finding this was turning the map upside down – looking south – and giving Imnaha a chance while abandoning Horace’s caption. Here he has recorded both a stream and road at the floor of his canyon – good clues of course. I soon determined that the road is the Upper Imnaha Road and the river, of course, the Imnaha too. It joins the Snake about 20 miles downstream from the turns in the river we see on the right. That confluence is about three miles above another where the Salmon River joins the Snake.
To get to his prospect Horace drove the sometimes precipitous one-lane gravel road up the east wall of the Imnaha Canyon – up from the Imnaha Store and Tavern and Motel and Roadhouse. Google includes an undated blue-dot photo of the clapboard establishment and it is blazoned with a banner celebrating its centennial. Horace took his photo looking south from an elevation of about 4200 feet. The river is 2000 feet below him.
Horace was standing on the exhilirating Monument Ridge, it is called, that carries what Google names the “Hat Point Road” for several miles above yet another valley – one between the Imnaha and Hells canyons. (Hidden here behind Horace.) Where this unnamed (we don’t know it) valley reaches grade with Monument Ridge is where Horace turned east towards Hat Point for the Hat Point Road’s last run up to its nearly 7000 feet high namesake. The distance between the sweet spot where Horace took this look south into the Imnaha is – as our crow flies – about ten miles from Hat Point across the “Interstitial Canyon,” we are now calling it.


“What is the deepest canyon in North America?” was one of the cherished questions from the geography quiz my brother Dave and I would plead for when traveling long distances with our parents. The answer is (and still is, I hope) Hells Canyon, the about sixty miles of it that cuts the border between Oregon and Idaho.
What mysteries we Spokane Lutherans imagined lurked in Hells Canyon. My dad promised to take us there too. Although only a day’s drive – a rugged one – from our home it was still “out of the way.” We understand that such a promise is really the most heartfelt expression of a hope that one can make. We all wondered at Hells Canyon and wanted to see it, dad included, but could never find the time to go just that way. Not so its principal competitor the Grand Canyon of the Colorado.
The Grand Canyon was but one National Park we visited on our summer trip of 1950. We headed first for Yellowstone, and then onward to Jackson Hole, Zion, Bryce, Grand Canyon, Big Bend, those caves in New Mexico, Sequoia, King Canyon, Yosemite, and Crater Lake. Although Grand Canyon is surely grand it is – again – still not as deep as Hell. But it is more often precipitous and also strapped or banded in many variations of red, a better color for Hell and Hell’s own. And, again, it was “on the way.” While barging through eleven national parks heading to and returning from Texas we did it in a brand new torpedo-nosed Studebaker. I can still recall the prestigious smell of it.
Dad was a delegate to a church convention in Houston. He also had a sister in Arizona we visited. She fed us squab. Our parents assured us it was a delicacy but we suspected that it was an economy. Another of dad’s ten sisters lived in Wichita Falls, Texas, and we found her in a tideflat shack with a TV set stuck on wrestling. Her son repaired TVs in a small shop downtown. In that house a clear line ran from the front door to the back, and those were the only doors in the place. The rest was hanging sheets. I concluded that my dad had come from a family of struggling Wisconsin farmers whose biggest crop, their own children, had scattered to the winds.
There are only a few prospects above Hells Canyon from which you can see the Snake River. This is one of them. The river can be seen reflecting the bright but still confounded sky. If I have figured it right, the drop here between Horace Sykes camera and the river is over 5000 feet. If Sykes had turned his camera to the horizon on the right he would have included the summits of the Seven Devils, the most precipitous mountains in Idaho. The fall from the 9300 foot summit of He Devil to the Snake is nearly 8000 feet – a fall of biblical dimensions, perhaps, a continuous descent into Hell. Some of the landmarks on that Idaho-side horizon continue the demonic motif. There’s the She Devil (second in height to the He Devil), the Gobblin, the Ogre, Purgatory Lake, Mt Belial, the Twin Imps, and the Tower of Babel – a very spiritual ridge. All of these mountains are strangely gnawed near their summits and the rock itself, because of it, looks like anti-matter might look.
On the other (east) side of the Devils is Highway 95 running north-south along the Little Salmon River. I rode it in a post-war art-deco bus north out of Boise in 1964, a most enchanting ride. Over the rolling hills part of the trip the two-lane but paved highway with grass shoulders (not gravel!) dipped with the topography like a roller-coaster. There was hardly any deep grading through the hillocks. And I took this trip early enough to experience the splendid collection of hairpin curves on White Bird Pass. It was subsequently straightened in the 1970s. Just north of the pass is the in the high-plateau of Nez Perce farmland is the Idaho agri-town of Grangeville. I first visited Grangeville when I was 13, a guest of my brother Dave when he drove down from Spokane on a summer weekend. For me it was a revelation of teen lust. The youths of Grangeville spent their weekend evenings slowing cruising up and down Main Street, a libidinous promenade of souped machines, hidden beer, pop music and carefully chosen clothes.
If you look to the far left horizon of Horace Sykes view from the nearly 7000 foot high Hat Point you see clouds. Beyond them on a clear day you would see instead some of the farms around Grangeville. Dave and I were then on Grangeville’s Main Street only 43 miles northeast of Hat Point (and perhaps even Horace Sykes for the timing was within range) as the devil crow flies over the deepest canyon in North America. But at that time I gave it no mind attending as Dave was to other matters, and following after him.



Hi Paul, while I didn’t get a chance to shoot this spot yesterday, here’s a few from previous trips:




There is something “purple” about the phrase “purple mountain’s majesty” and purple hegemony from sea to shining sea runs through the poem “America” by Katharine Lee Bates, a Wellesley College English teacher who found the poem’s landscape on a summer train trip to Colorado Springs in 1895. The first lines came to her at the top of Pikes Peak. She was not looking west then into the endless ridges of the Rockies but east from whence she and Manifest Destiny had come. She looked to the fruited plains that were taking shape like a checkerboard with farms keeping to section lines set down by federal surveyors years earlier. The poem’s clean-and-gleam urban visions came from recollections of the teacher’s visit to the “white city” of the Columbia Exposition in Chicago two years earlier. “Thine alabaster cities gleam / Undimmed by human tears! / America! America!” (Obese on hogs and steers.) A century ago, this year, after many composing contenders her poem met the by now accepted music for it, and it is still preferred by many to the official national anthem about bombs exploding and rockets flaring. Samuel A. Ward, a choirmaster-organist did the composing, and with sheet music soon published – and 78 rpm recordings available too – America the Beautiful became a patriotic hit, concluding with lines that had forgotten the then still fresh slaughter of the “Americans” who had lived here for a few thousand years before it was possible to take a train to Pikes Peak and more easily shoot at them, the buffalo and later the Burma Shave signs. “America! America! God shed his grace on three / And crown they good with brotherhood / From sea to shining sea!” I loved singing about “purple mountains majesty” as a child, and always thought that it was much the better song – over the “Oh Say Can You See” anthem. We also played lots of Cowboys and Indians, admired the Lone Ranger’s Tonto and the special skill required to ride bare-back, and knew nothing about the Native American genocide at the hands of both uniformed regulars and settlers.

One summer in the 1940s Horace Sykes paused for this parade in the town of Okanogan. It is, we know, customary for military groups – active, reserves, veterans – to take their parts in community parades. Here a local in overalls joins a parade with his dog (we assume it is his) and a sign tied to the dog, which is a pleasing pun on “post,” as in army post or veterans of foreign wars post, and any post for his dog to pee on. It is a rugged example of country irreverence. The next dog parading is going north on Seattle’s 4th Avenue and just passed over the center slot of the Madison Street Cable Railway. The building beyond the happy parade witnesses is the old Carnegie Library – it’s southwest corner. May we take a cue from the New Yorker Magazine’s cartoon editors. (Continued below the two photographs. Remember to Click to Enlarge.)


That publication posts cartoons without captions and offers prizes for what it considers the best ones sent in by readers. Not big prizes – but still prizes. Consider this, then, a challenge: a contest. What an honor to win. Prizes will be announced – if we get any captions.
When I received the Horace Sykes slides from the Gowey family in the mid-1980s I did not know its complexity, which these two slides will illustrate. The top is one of those rare instances when Horace stamped his slide “Horace Sykes Seattle, Wash.” This time he also identified the subject, although for that we needed little help. He named it “From Magnolia Bluff, Seattle.” The second slide was also labeled, and similarily. It reads “From Magnolia Blvd. Nov. 17, 1958 – 1:p.m.” It is not, however, signed. The mounting for this second slide is also more sturdy. We subsequently discovered that it is not by Sykes, but rather by Robert Bradley, a professional photographer with a competing interest in rare stones. Horace and Robert were probably friends, and may have met through the local camera club, or church, or insurance (Sykes profession), or through Lawton Gowey. When I learned that Horace had died in 1954, I needed to find another photographer for all those sturdy sides that were dated after the year of Sykes’ passing. The slides themselves included many scenes taken from the Lamplighter Apartments on Capitol Hill, and with a little investigating I found a photographer living there – Robert Bradley. Subsequently, I also found a slide among them with his name included in the caption. The Bradley collection is not as large as the Sykes and his sensitivities are more urban and not so picturesque as Sykes. But here they are standing in nearly the same place and looking in the same direction.



Horace Sykes visited Grand Coulee Dam a few times, both during and following its construction. Here we have both. The top view looks from the west (or southwest side of the pool) to the back of the dam when the top of its spillway was still not complete including the long and thrilling bridge that would cross it. In the sunset view below Sykes looks to the northwest from the east (or northeast) side. There the dam is complete. Its principal structure was ready ahead of schedule in the spring of 1941, conveniently or strategically ready to supply power for the munitions factories during the Second World War. Irrigation, one of the principal reasons Grand Coulee was built, was not a factor until well after the war when the big pumps, pipes, and canals were installed for irrigating large parts of the Columbia Basin. (Click to Enlarge)









Paul, I’ve added in the photo from the book and the accompanying text.
You are mistaken in your description of the play we are currently rehearsing at Hillside. While I have cast the twins in lead roles, they do not play twins but mother and daughter in the Kauffman/Hart classic ‘You Can’t Take It With You’. It was in their first play when they were sixth graders that they portrayed siblings, Viola and Sebastian in ‘Twelfth Night’ – which you, as always, faithfully recorded on video.








Sheep may safely graze
where a good shepherd watches.
Where rulers govern well
we may feel peace and rest
and what makes countries happy.











With the evidences of the “real photo post card” printed just above we have found the location for the previously unidentified Daily Sykes #10, which was published here last April 22. The photographer, Philip Wischmeyer, we are familiar with having used his ca. 1910 panorama of Neah Bay in our book “Washington Then & Now.” We are, in fact, making quite a few discoveries as we scan through by now decades old 35mm black-and-white copy negatives (technical pan) of images from diverse sources, thanks to our own Edge Clippings Ron Edge’s loan of another of his picker’s findings, a sizable and fine scanner that will handle 24 negatives at one sitting. Thanks again to Ron.





Soap Lake’s historian/filmmaker Kathy Kiefer confirms what we only suspected. This is indeed Horace Sykes’ look over Soap Lake from its southwest corner. Kathy writes, “I concur that not only is that Soap Lake, I venture to say that it is one of the enclaves used by nude bathers on that southwest corner of the lake. Male sunbathers created the stone circles to alert others that they were nestled within. The women often made tent like structures – much more private. I am sure we talked at some point about the nude beach and the thriving naturist community on the southwest side of the lake?”


When Jean visited Soap Lake in 2005 Kathy was his guide and his “repeat model” as well. Below you see Kathy standing in for the angel of mercy included in the historical photo below it, which dates from about 1922. In many printings of this popular postcard, the promise “It Will Cure You” has been written over the rocks by the card’s publisher. The white-robed angel of therapy is leading a lame and bandaged victim to the alkaline-rich waters of Soap Lake, named for the froth skimmed by the wind and deposited on the beaches. When the lake’s popularity as a mineral-rich panacea gained momentum in the early 20th century, this southern shore was quickly stocked with hotels and all the attractions of a fetching health resort, including massage, mud baths, mineral soaks, and, of course, swimming in Soap Lake and drinking from it. The Siloam Sanitarium, seen on the horizon just below the angel’s gesturing hand, was one of the town’s grander retreats for treating both nervous afflictions and hypochondria.


Kathy Kiefer wound up in Soap Lake in August 1980 and stayed. “I rode from Kirkland over Stevens Pass right to the steps of Soap Lake’s Thorson’s Hotel where Roxie Thorson was sipping port and rocking in her steel chair. I had followed the ashen path. It was the year St. Helens blew.” Kathy’s admired film/video history of Soap Lake can be purchased through filmbaby.com. She also has a Soap Lake website: www.soaplakewa.com and a Soap Lake Facebook Fan page featuring lots of historic photos – among other things. Thanks for the help and stewardship Kathy.








We received a request from Brian who helped us identify Horace Sykes pictographs. Brian wants more and here are a few, although there may well me more in corners of the Sykes collection I have not yet searched, and those are quite a few corners. I will number these in case Brian or anyone recognizes their location. (Click to Enlarge)








The Horace Sykes below was most likely photographed during the same trip as the Bryce Canyon view from Sunrise Point printed above. There are hoodoo pinnacles in the second view but they are lower in the frame and perhaps this second scene was also taken from a slightly higher elevation and closer to the clouds – even above them. The elevation is somewhere near 8000 feet and perhaps a little over it. This we note in order to compare this Western scene with another – the one printed below it. It is a view of the Brothers in the Olympic Range photographed by Sykes from the east side of Hood Canal somewhere between, I believe, Oak Head and Tsukutsko Point on the Toandos Penninsula. The “lesson” here is in elevation. The Brothers’ summit is a few feet under 7000 feet, and so a good 1000 feet lower than the position Sykes comfortably took from an as yet unidentified point or prospect and most likely from a spot not too distance from his car. Or we may imagine in the bottom photo Sykes in his post-war Chevrolet reaching for the clouds above The Brothers.


An understanding of what created the Dry Falls in the Grand Coulee Canyon was first revealed about 13000 years after the event. And it was not yet known when tourists first started to visit the site in the early 20th Century. The 1890 completion of the Northern Pacific branch line between Spokane and Coulee City made visits to both the Dry Falls and Soap Lake possible for persons willing to trek or take a wagon the last few miles to those destinations from the rail head. The opening of the trans-state highway over Stevens Pass in 1925 substantially increased the volume of puzzled visitors. Many by them brought cameras and the fenced prospect constructed by the Civilian Conservation Corps (CCC) during the Great Depression has been the platform from which most of the snapshots have been made depicting the effects the late ice age’s great floods as ice dams broke releasing walls of water sometimes 1,000 feet high. Believe it or not.
Now we will nudge Jean to put up at least one more historic shot of the Dry Falls – the one (or perhaps two) we used in our book “Washington Then and Now” – and examples of his own repeats in 2006. (Readers may want to visit our website to see more of Jean’s state-wide repeats pulled from the book.)
(click to enlarge photos)
Jean writes: the following photos are from two visits to Dry Falls. I’ll begin with the Then & Now photos we featured in our book. A couple from Seattle graciously posed for me to help repeat the original. The boy in the red shirt darted into the photo at the last second, giving it a little impromptu oomph.
More shots from different perspectives.
Two poplars but where? Horace Sykes does not tell us. To me one looks Okanogan and the other Palouse, or vice versa. Are they poplars? My best evidence is based only on “family resemblance.” Anyone in our family would have called these stately trees poplars.




The rich farmland of the Palouse is covered with such deep silt loam that it may be a rare day when the Palouse River does not run at least mildly muddy. The top of two Horace Sykes recordings of these falling waters may be extraordinarily rich with silt even for the state ranger who watches over Palouse Falls. The other Sykes catches a rainbow, which is common in that corner of the state with the most sun and the spray generated by the lower falls. Depending upon water levels, it is an about 180 foot drop. Wet side Washingtonians may have memorized the 270 foot drop at Snoqualmie Falls. Greater differences between these east-west cataracts are the volume of water that is suddenly and for a few second exposed and the yearly number of visitors. The official Snoqualmie Falls website claims 1.5 million – believe it or not. Jean (our Sherrard) was among the somewhat fewer visitor to the Palouse Falls in 2006. We thought to include the plummeting Palouse in our book “Washington Then and Now” but the frugal publisher dropped a few pages and so for us stopped the river. Now we expect that Jean will let it flow and post his nows to Sykes thens. He has promised. The publisher did, however, keep Snoqualmie Falls in the book, most likely calculating the number of book buyers that were in its neighborhood. [Click TWICE to Enlarge]


Jean responds:
Here, Paul, is the photo we never used. You’ll note the Falls on that day was mostly covered by shadow from the surrounding hills. I believe we reckoned that it would emerge seasonally from the darkness.


We found the location of Sykes first pictograph included below with a little browsing on Google Earth. At some point in our highly speculative “Sykes Kodachrome Period” – ca. 1945-53 – Horace Sykes visited this central Utah panel, an example of what the experts call a Barrier Canyon Style of rock art. The name for this site is Buckhorn Draw. It is a tributary to the San Rafael River if you wish to go exploring for it. It will not take long. We have called the top panel “How the West Was Won” – an obvious, we hope, reference to the graffiti that marks the easier to reach lower parts of the rock art. Take some time to read the contributions. Some are dated and proudly note the homes of the scribblers. I found on line another rendering of this Sykes panel, which is included below it. There much of the defacing has been retouched in a 1996 effort at restoration – but not all of it. The remaining pattern may be in same group. Can’t say for I’ve not found it as of yet. With its rock face it is certainly a joy forever, and perhaps it is also harder to reach. [Click twice – sometimes – to Enlarge]



Driving through or along the edge of summer storms Horace Sykes caught many rainbows ordinarily from his car window or the side of the road. Typically we do not know where any of these were recorded, only that like most of the hundreds of his surviving Kodachrome slides, they were photographed somewhere in the American West in the 1940s and early 1950s. Here the rainbow with the pine tree seems to be reaching for paradise and we might too if we could find a way across the water. The one with the highway I’d chance as somewhere in Eastern Washington. The “psychedelic” one is pushed from an underexposed slide, again we do not know where. [Click – sometimes twice – to Enlarge]
[Click TWICE to Enlarge] Horace Sykes’ visits to the southwest are mostly inscrutable to me. Aside for one trip through the national parks of Utah, Arizona, New Mexico and California with the family when I was thirteen I am not familiar with it. That trip and the magazine Arizona Highways, to which my dad had a subscription are my sources. At least some of Sykes’ southwest looks like it is out of that highly saturated and sunset-prone publication. And so and again we will be most pleased if someone recognizes these unidentified Horace Sykes landscapes or asks someone whom they think may have insight. Would that Horace had penciled the name places on the cardboard of his slides, and yet that would have surely spoiled most of the hide-and-seek of it all. 

Even more familiar than yesterday’s Steptoe Butte, today’s Crater Lake is an exception to the Sykes “rule” of unidentified subjects. Of course, all of his landscapes are familiar to someone and this is one of the anticipated or hoped-for pleasures of showing them, that persons will come forward and locate the ones for which we are nearly clueless. This Crater Lake subject is also unique for Sykes in that it includes people. Most of his landscapes are without them. We would not mind it if someone could also name names for these few tourists. Their tableau is so perfect that we might wonder if they have been posed – but probably not. [Click to Enlarge]

Two of these Sykes’ Steptoes were taken from the top of the Butte, where the road that winds about the Butte reaches it. Horace Sykes visited Steptoe several times. Getting to the top was easier after the coiling road was completed in 1946 – if memory serves. Before that it was switchbacks all the way. In our book Washington Then and Now Jean and I include one of these Sykes shots from the top and also describe the part Cashup Davis played both below Steptoe were he and his large family serviced stage coaches and on top where he built a Hotel. It was a Quixotic labor for all water had to be carted to the top and there were not a lot of tourists in the Palouse in the 1890s. The shaped stones that show in both views from the top are remnants of the hotel’s foundation. It was also in the late 1940s that my dad drove me up that road. I was so thrilled that I still own a childish (or childlike) enthusiasm for Steptoe Butte. [Click the images to enlarge them.]

The barn of this ruined farm seems to have held up so well that we might imagine restoring the grand old home – except that this is another unidentified Sykes view from the 1940s. But where? Such architecture in such a setting must be remembered by someone. [To enlarge click and then click again, if you like.]

We know that these are the wheat fields of the Palouse and that Steptoe Butte, its topographical oddity, rises above it all on the distant horizon. But what horizon? Given the profile of the Butte, and the helpful guide of Google Earth, we think it most likely that Horace Sykes took this surreal view of it from the east – in the direction of Idaho, or rather away from Idaho with that state behind his back. From the evidence of his collection Sykes visited the Palouse often and drove to the top of the Butte at least three times. We shall follow him there with an upcoming “Daily Sykes” but not tomorrow, not yet. [Click to enlarge and then click again.]

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We here at DorpatSherrardLomont are pleased to announce the first installment of our newest feature ‘Our Daily Sykes’.
Photographer Horace Sykes (a member of the Seattle Photography Club) wandered the northwest for decades seeking the picturesque and the profound, snapping shots of flowers, snowstorms, mountains, valleys, and plains. Paul has a large collection of these marvels and has used a number of them in Seattle Now & Then – and several in his and Jean’s recent book Washington Then and Now. Sykes’ keen eye captured visual treasures during the 40s and 50s, but most of his photos are without annotation, which often leaves us guessing at location.
Hence, we propose a kind of collaboration with our readers. We will, as the title suggests, offer a daily Sykes photo; some will be well-known locations, others obscure or unfamiliar. If you know where a photo was taken, please let us know; and if the urge takes you, perhaps even attempt your own repeat.
Above is Jean’s beloved Yakima River Valley. There you can see Mt. Adams off in the distance and even through the summer haze some of Mt. Rainier on the far right horizon. But where this is in the valley, and how close to Sunnyside, Jean’s frequent destination, we do not know. We would ask any reader who does know and can identify the location of the bluff on the left to step forward.
Paul will provide the cookies.